I write an actual script rather quickly - a draft will take me two weeks - but I write a lot of drafts. My big thing is I don't re-read. When I write, I never re-read back. I'll send it, because if I re-read back, it will cripple me.
— Abi Morgan
Chaos is my natural habitat. I write about chaotic situations and about people finding their way through the chaos, the hope that you can find your way.
I'm a cheap date.
I wrote a play for Miu Miu called 'The Moment Is the Present, That's Why It's Called a Gift.' Instead of doing a catwalk show, all the actors wore the clothes and performed a 20-minute play.
I think there is a difference between connecting with a character and supporting and believing their policies.
There is an invisible aspect of being a writer; none of it is about you. It's about your work, and that's what it should be.
'Tender' is my most strongly autobiographical play.
There are so many actresses I want to write for. I see them, and I think, 'Why is she not playing that lead? What's happened to that actress?' I think all I can do is to write parts for women, to say, 'Keep going, keep acting, because there are parts for you. There will be those plays.'
If the world is in complete flux for me and life is falling apart, if I just manage to get myself in front of a computer or at my desk, it calms.
I still always think the greatest moment for me, as a writer, is when I press that button and send the first draft of the script.
I had a huge interior world as a kid: I'd sit on endless wet holidays in Cornwall playing with paper dolls.
Stage is the place of the playwright: you're guided by great actors and directors, but it's the playwright's word on the page that counts.
I got dumped off 'The Iron Lady' a month before they started shooting, and then they brought two new writers on. Then I was brought back on again. I'm just a bit of a rubber ball. I just bounce back.
Writing comedy is a superpower.
I used to believe in God as a child. God, for me, was linked with hope.
As a writer, you're not even at the party when you work in film. At best, you're the one laying out the canapes.
Eddie Marsan is just my favourite actor of all time. I love everything he's been in, so it's a dream come true to work with him.
I definitely people-watch. I often see photos of myself with my children: I'm always in the background with my mouth wide open, looking somewhere else.
To be honest, if I was going to have any kind of fantasy, be it left-wing or otherwise, it wouldn't involve Margaret Thatcher.
I like bowling with my kids at Shoreditch House.
I'm quite interested in doing a film about fashion. As someone with no fashion taste whatsoever, I think it would be good for me.
My greatest love is my children, and they have inspired me to fight and stand up for the right things.
I always felt a bit of a nerd, but my family gets me and my oddities. My kids and partner are way cooler than I am, but they let me in the room with them.
The notion of having your muse was not something that was built for women originally. That's not to say women don't have muses. I get muses in terms of actors or writers who inspire me, so I understand the concept.
When you see in this country and every other part of the world the huge pay disparity - in Hollywood, in every profession in the U.K., globally - and you see what is happening to women in every country socially and culturally, you can't not be a feminist.
I think casting is everything. You get a great cast and - certainly, as happens in 'The Hour' - so many of those performances on the page were transformed by those actors who took those parts and made it into something completely different.
Plays are painful. But the very act of writing is a basic freedom denied some women. Some would call it a privilege. So what's a little pain?
Cornelia Parker has inspired a lot of my theatre work. Her art is about points of impact: it's poetic but with a strong literal story.
All work is a process of failure. Every single thing I write, I look at it and go, 'Do better. That's not good enough. Do better.' And so, that keeps me up at night.
I am the most tense, annoying person in the world.
I don't look back. I don't look forward. I am totally now.
I am always running away from something.
If you want to fit in, you try to mirror whatever anyone wants from you.
You can't control how an audience responds to something. It's up to them.
My parents' divorce was very difficult. Divorce is essentially incredibly painful, but it's also an essential part of life.
Journalism and the news has become not only a means to debate but also to judge and deconstruct celebrity, the news story, and the emotional lives of political people.
I love the South Bank: every era of architecture is there, and you can stop, look, and listen.
Having worked on 'The Hour,' I now feel like I spend my whole time interrogating history.
Having a daughter has reawakened my sense of feminism. I want to protect her.
The world can make you very angry.
Now I would say I'm absolutely a feminist writer.
I'm a woman, and I'm interested in writing stories from a female perspective.
I think, in some ways, there's a point as a television writer that 'executive producer' is the natural credit you get, and it can be a vanity title, or you can make of it what you want.
Plays are the marathon of scriptwriting. You fix on a point somewhere in the middle distance, and you start running, and you don't stop until you get to the end. The theory is that you have something you cannot not say: this is the engine that propels you through to the last page.
I work from about 8:30 A.M. until 7 P.M., five days a week, when I'm not sneaking off to buy another bar of chocolate.
When people say to me, 'You're so prolific!' it's, like, no, I'm just hopeless with money.
I'd love to know what the future looks like.
The thing I love about London is that it is filled with migrants, including myself.
It's quite good when you fall flat on your bum on a creative level. Critics can hate what I do, or I've got something completely wrong, and it's good because that ego thing gets zapped for a while.
I always deeply admire people who can stay still in a room and wait for people to come to them.
