Life is short, and there's something to be said for being true to yourself.
— Anohni
The man-made apocalypse we are facing was not written in the stars; it is a notion that grew like mould from the texts of a few frustrated, feather-wielding monks.
At the end of the day, the sovereignty of maleness is an illusion. In essence and in origin, we are all entirely female.
We're being challenged to do something so profound, it's unprecedented in the history of our species, and there couldn't be more at stake. It's not even our species at stake; it's the whole dream of life on earth that's taken 4.5 billion years to realize - all this beautiful pastoral life on earth.
Reality has been so politicized such that people truly believe, mostly, that there are two versions of reality: a conservative and a liberal version. In my mind, there's only one version of reality and then those who lie about it. Much as in a court of law.
I've always been somewhat uncomfortable on the stage, and I've always felt like physically having to negotiate my own presence as a part of presenting work has always been a source of angst for me.
Only an intervention by women around the world, with their innate knowledge of interdependency, deep listening, empathy and self-sacrifice, could possibly alter our species' desperate course.
I didn't set out to be a singer. Actually, the earliest creative efforts I made were drawings copied from comics we got every week at the newsagent, or rearranging photos I cut out and pasted in scrapbooks.
I had this voice when I was in high school, except nobody thought much of it then. I developed it by imitating singers I admired - Alison Moyet, Boy George, later on Nina Simone.
In the United States, it is all about money: those who have it and those who don't.
If Hillary's the first woman president, well, in England we already know what a Margaret Thatcher is. It's not an end unto itself to be the first woman president.
My favourite moment from the Oscars was when Brando didn't attend and sent a Native American woman to talk about Wounded Knee. She delivered a very unpopular and lengthy monologue about the injustice for indigenous people in North America. It was one of the greatest moments in American television.
We've been playing in the sandbox of creation for millions of years. We ruin one environment, we move on to the next - manifest destiny. Now it's hitting us collectively: Our mother's life is in our hands.
Participation in and of itself is an act against hopelessness. Speaking up is a gesture against hopelessness.
More and more - especially the younger generation - are functioning outside the binary concept of gender. That's just next-generation stuff.
I was drawn to people that were expressing feeling because that was what was taboo in my family, expressing feeling. And that was what I was made of.
Hopelessness is a feeling. It's not a fact.
There have been points in my life as an artist where I have wanted to capture people's attention, probably to compensate for times when I felt invisible.
Women are women, and so are men, and the delusion that we are spiritually separate from or are about to spiritually separate from the rest of existence is a psychosis that spins us into virulence.
This illusion that a lower class has less intelligence than a higher class is a complete fake-out.
In our lifetime, we're going to see fifty percent of the world's species go extinct. We're already seeing this radical rise in the world's temperature that was predicted.
I don't think that I'm a lone voice. I'm not even interested in being a lone voice.
Whereas in the past people have seen the two sexes as almost incomprehensibly different, now there is a group of people that are explaining the connections between both the genders, literally in the way their biology informs some of their expression.
For millennia, men have enslaved women and attempted to appropriate female creative power, re-casting themselves as gods and creators. This assault continues today in the forms of ruthless wealth and mineral extraction, genetic engineering, mass surveillance, and war mongering.
For me, a theatre is a dark place. It should be mysterious; it's where we go to get away from all the utilitarian things we do in the daylight.
America, a country that is no longer contained by physical borders, aspires only for more power and control. I want to maximize my usefulness and advocate for the preservation of biodiversity and the pursuit of human decency within my sphere of influence.
If there are places where I didn't feel comfortable with the particular politics, then I just couldn't do a concert there.
What's subcultural now is literally just a line of thinking, which is trying to be eyes wide open, in my view. It's no longer attached to a specific demographic or specifically downtrodden groups of people; it's much more free-floating, and you don't know where you're going to find it.
I spent ten years being told there was no way I was going to have a career because I was so effeminate.
Yes, I'm ashamed of my participation as a taxpayer in American drone bombing.
I would never undermine a person's interpretation of a creative work.
Subjugation of women and of the Earth are one and the same.
Artists have different responsibilities in different eras. But at this point, I really feel like it's all hands on deck. An artist that's fiddle-faddling in opaque, gossamer gestures - I mean it's fine to do that, totally fine, but there's no time left. We don't have the luxury of time anymore.
My being bought as a politically outspoken artist is a more potent advertising tool for Apple than a 100 more explicit ads.
Changing my name has been like a formal rite of passage.
It's a feminine universe, and every person who has ever tried to convince you otherwise is doing little more than pounding on his mother's breast, enraged by the predicament he faces as a leaf, dangling from the tree of life.
As a transgendered artist, I have always occupied a place outside of the mainstream. I have gladly paid a price for speaking my truth in the face of loathing and idiocy.
I think for me, at the end of the day, just because of who I am, my priority is the biosphere. That seems to be, for me, where I've ended up, and I've been there pretty consistently since I was a teenager.
I can't be separated from nature. I am one of her faces.
I've always been transgender, and I always will be. Having said that, my spirit is feminine. If you had to divide humanity into two groups, I would sit with the women.
As Donald Trump and his cabinet now demonstrate, the skills encouraged in men by their biologies and the tools that boys master in the playground have not equipped them to deal with the unprecedented global crisis we are now facing.
Boy George always told me to stop noodling; he wanted me to belt like Ethel Merman.
When we are not extracting wealth from nature, we are extracting it from the working and middle classes.
As an artist, you tend to identify your sphere of influence and try to employ that as best you can to hopefully be useful.
God - God's the wrong word - goddess or nature will conspire to transform you in a way you couldn't have imagined.
You need money to have advocacy in America. People that don't have money don't have advocacy.
Look at the American history of slavery. Can you say that hundreds of years later that has been eased? That pain has not yet been eased.
When a person only knows abuse, they shift their whole emotional and spiritual life into the context of that abuse. If all you've ever known is to be hurt by the one that pretends to love you, then many times you go to the one who hurts you for love.
My idea with '4 Degrees' was to articulate, for a minute, not my ideal vision of how I wanted to perceive my relationship to nature but the reality. If I could give a voice to my behavior, what would that voice be? Taking planes, enjoying first-world fossil fuel, an addict of first-world comfort.
People trust my voice. And my expertise, honestly, is not political science. It's emotion and expression and sort of presence, you know?