You know you poor when you eatin' breakfast food late. You fryin' toast? At nine o'clock at night? With bacon? You're broke.
— Bernie Mac
I don't have no story. Everybody wants this Hollywood story, but the world don't owe you nothing, man. It's what you owe the world.
I don't need to pat myself on the back until my arm breaks. I don't need any of that.
I've always been a reserved cat. When I play sports, there's people used to get mad at me because I didn't hang out and things like that. I've never been that kind of person. Nothing has changed in that regard. I've never been posse, and all that. I'm a quiet storm.
I want people to say at the end of my day, you know, like I used to say about Sidney Poitier and James Cagney and Joan Crawford and Red Skelton and those guys and Bill Cosby. They did quality and substance. You always remember them.
If I can tell someone a story that makes them bend over and laugh, that's bigger than anything else.
It was rough being dark. I got heat from my own people more than anyone else. I remember going to my mom and saying, 'Why am I so black?' And she said, 'Because I'm black. You just gotta always work harder than the average bear.'
I'm looking for laughs, you know? If it take me to flip over a table, if I have to go physical comedy, I will do it. But whatever the joke needs at that particular time, is where I'm dedicated to. I'm not into beating somebody down and beating myself up. I don't do insults and things like that. I don't do it - I'm a storyteller.
Bernie Mac don't sugarcoat.
I'm funny. I'm a comedian. I'm not a clown.
I have Glocks, .45s, Berettas, Remingtons. I like the marksmanship and the discipline that it takes to be a gun owner. I like the machinery. Being able to take it out and clean it is even more fascinating than having the gun.
Whatever success I've had, I always like to top it.
Like a lot of black people, I grew up straight po'. Wasn't no question about whether we was po', either. If you really wanted to know, all you had to do was look in our refrigerator.
There's no success story. Everybody's got a ghetto story. You always want to make it bigger than what it is.
I want to have fun. Life ain't no dress rehearsal. I want to have fun. I'm a comedian; I ain't no politician. So everything I do is with humor, with love.
I want to do something that people can really say, 'Hey, man, that was good, I'm proud of you, I'm proud of that.' 'Pride' and 'Transformers' and things like that.
You know, every time it comes, every time that light comes on or every time that camera comes on, every time that microphone comes on, the Mac Man seek and destroy.
When I hit my 20s, I struggled to make it. I got married at 19, and my daughter, Je'Niece, was born a year later. I worked blue collar jobs during the day and comedy clubs at night, and I was earning about $25 a year doing stand-up.
Why I was so intrigued with Red Skelton was because he was able to make you cry and laugh and the same time. That was power.
I don't care about how I look; I'm dedicated to the laughs. You know, I used to be a clown, so - my name was Smoothie the Clown. All the training I had, all my training is geared toward making people laugh, and I didn't care about being cool.
My comedy comes from pain. I can't stand to see someone hurting.
The success of my comedy has been not being afraid to touch on subject matters or issues that everyone else is politically scared of.
Every time you see a black romance, it's over-the-top. There always has to be extreme hostility between the sexes. He has to cheat. She has to show him how independently strong she is, not just as a woman but as a black woman.
Jerry Weintraub, the producer, might be a pain in the ass, but he really knows how to treat his actors.
I learned hard lessons in life; I had to because I had so much happen: My mother died my sophomore year in high school. The next year, same day, my brother dropped dead. Two years after that, I got married because my girlfriend got pregnant. The year after my wedding, my father - who I had only recently met - died.
I hate to let people down. I was like that in sports and I was like that in comedy. I was like that at work. When I worked General Motors and stuff like that, when I say something, I mean it.
You don't see me in Los Angeles a lot. I go back home. Because I can't play the game. I can't - my tolerance - I know I'm getting old; I'll be 50 this year. And you know how I know I'm getting old? 'Cause my tolerance level is low.
I hate to compare anything, especially while I'm promoting. I feel that's another disrespect, but 'Ocean's 13' is the best movie I've ever done in my life. No question.
I've introduced myself with comedy, and once you've introduced yourself as something, that's where people keep you. That's where people like to hold you.
I became the storyteller of South Side Chicago. I used an old Kiwi liquid shoe polish as a microphone. I'd go around the house interviewing everybody, telling stupid jokes, doing voices. I mimicked Sidney Poitier, Sammy Davis Jr., people on 'Laugh-In,' Flip Wilson.
I was in love with a lot of people, because I was a student of the game of comedy - Carol Burnett, Jack Benny, Red Skelton, Jackie Gleason, Don Rickles, Red Foxx, Moms Mabley - who gets no credit, Richard Pryor, Bill Cosby, George Kirby. I loved them all, and I used to just take a page out of all of them.
Bernie Mac just says what you think but are afraid to say.
When I started in the clubs, I had to work places where didn't nobody else want to work. I had to do clubs where street gangs were, had to do motorcycle gangs, gay balls and things of that nature.
I'm not a star, and I don't want to be a star. Stars fall. I'm an ordinary guy with an extraordinary job.
When I get a chance to play golf or go on a boat with good people, take the boat out and put some lobsters on the grill, get the ice-cold beer and the cigars - that's heaven here on earth.
I'm an ordinary guy with an extraordinary job.
