I was 21, and rehearsing a play, took a fall and was in a coma for a few days. And when I recovered, I'd lost my sense of smell completely.
— Bill Pullman
There's a point you get to on the stage where you're not remembering lines but living them, and you reach this pure moment which, really, is more intense than what you can achieve in life.
Theater has always been most important to my psyche.
I was brought up in a very small town in upstate New York.
With While You Were Sleeping, it was so much fun and such a Cinderella story, that I didn't want to do another romantic comedy. I wanted to do the opposite.
I co-own the ranch with my brother, and he and his wife are really the backbone of the operation.
I also turn down what's probably a good amount of coinage to be made out of playing dads, an incredible number of obnoxious dad.
I do take lots of time off between projects, but when the right thing comes along, I don't like to turn it down, I've been doing this for a decade, and I remember what it was like when I started. You spend maybe five percent of your time actually doing it, and the rest of the time, you're trying to get that five percent.
There was an idea of accepting everyone; there was no sense of exclusion.
There's definitely a pattern of great British shows that get reinvented in America and do really well here, but I think 'Torchwood' is a bit different. It's more of a hybrid that doesn't exist as a reinvention.
I like those crisis moments - if you're on top of it and don't get pulled under by panic and fear, it's a very bonding thing.
Truthfully, I almost avoided 'While You Were Sleeping,' because I find those romantic comedies kind of precious, and they're full of lines that leave you feeling a little bewildered when you say them.
Rural towns aren't always idyllic. It's easy to feel trapped and be aware of social hypocrisy.
