One of the things that makes you want to be an actor, speaking only for myself, is that there's something infantile about it. You're suspending disbelief, pretending and entering into a story world.
— Colin Firth
It's a film called 'Kursk', which is a true story about a submarine disaster. There was an accident on board a Russian submarine in the year 2000, and it stranded a large number of sailors. That's next.
I backpacked through France and Italy in my teens, and then I was at Cannes with the first movie I did in '84.
I would definitely do TV, at the drop of a hat, if I was offered a good role.
I had heard all sorts of stories about Woody Allen's directing - directorial approach. And some of them turned out to be myth, but one of them was that he doesn't rehearse, and another was that he doesn't really direct. If he doesn't like it... he cuts it out of the movie or even replaces you. And he doesn't talk to you.
Something like 'A Single Man,' it was tiny; it was financed by one guy. We all lost money doing it.
If one lazily thinks of what a fashion designer might do if he's going to conquer cinema next, it would be taking the opportunity to display his fashion sensibilities.
We are actors who show up for work in our sloppy gear, and we've got this extraordinary tailor. It's someone else who's done the design; someone else who's cut the suit; someone else who's measured it. Basically, your job is to just wear it.
Growing up, my mates and I would have rather been Sid Vicious or members of the Royal Family.
We all know the dangers of sequels. Lightning doesn't strike twice in the same place too often, and I think you've got to move beyond it, go the extra mile and have the courage not to just repeat the first one.
My parents and grandparents have always been engaged in teaching or the medical profession or the priesthood, so I've sort of grown up with a sense of complicity in the lives of other people, so there's no virtue in that; it's the way one is raised.
Forget trying to be sexy. That's just gruesome.
I absolutely don't care about my looks and I'm so used to them that I wouldn't change a thing. I would end up missing my defects.
Almost every comedy you see is about people making all wrong choices and making all the errors of judgement possible. Good comedy is when it works on this scale. Because it is psychologically very real.
Hollywood hasn't aggressively pursued me. Neither have I aggressively pursued Hollywood.
I don't want to sound smug but I am reasonably satisfied with how it's gone. I think it's fine.
I think England has served me very well. I like living in London for the reasons I gave. I have absolutely no intentions of cutting those ties. There is absolutely no reason to do so. Certainly not, so that I can have a swimming pool and a palm tree.
If I were to write a book about the progress of getting to a third film, it would be a long one.
I've gotten involved in producing now, so the kinds of things that are more my own choice are more possible in that field because I don't have to be castable. I can actually get involved in getting stories off the ground that no one would ask me to be in because I'm the wrong age, the wrong sex, the wrong nationality, or whatever.
I love 'Manhattan', and I know it's not one of Woody's favorites.
The only reason I'm in 'Kingsman' is because Matthew enjoys playing with the unexpected. I'm not playing Harry Hart because I'm the butchest actor in Britain. I'm playing it because he said I'm the last person anyone would expect to see in that role!
In filming, you're waiting - you're waiting for lights, you're waiting for people to set things up - and when you're not waiting, you're repeating.
If you play a role, you want to familiarize yourself with that person's world. If I were playing an airline pilot or a doctor, I'd probably want to hang out with a doctor or an airplane pilot for a while, ask some questions. You don't get to hang out the kings. They don't help consult on movies. So your resources are, by necessity, secondary.
I've grown up surrounded by Americans and to a very large extent feel American. It sounds strange because I seem to be so quintessentially English in everyone's mind - and perhaps I am. Perhaps it's quintessentially English to have a fascination with America.
The thing is that anybody looks good in the right clothes. It will affect your bearing. It will affect your demeanor. It informs the way you behave.
Obviously, if people love a movie, and it has the possibility of continuation, then there is going to be a question of whether it's worth doing another one. There's also cynicism and skepticism about sequels.
I work with the options I have in front of me and my reasons for choosing a job can vary enormously depending on the circumstances. Sometimes I take a job because it's a group of people I'm dying to work with, and sometimes it can be a desire to shake things up a bit and not to take myself too seriously.
My primary instinct as an actor is not the big transformation. It's thrilling if a performer can do that well, but that's not me. Often with actors, it's a case of witnessing a big party piece but wondering afterwards, where's the substance?
I always thought the biggest failing of Americans was their lack of irony. They are very serious there! Naturally, there are exceptions... the Jewish, Italian, and Irish humor of the East Coast.
My singing voice is somewhere between a drunken apology and a plumbing problem.
As much as the next person, I want to be approved of, but I'm not greedy for that stuff.
I do notice that when I've been away and I come back to London. People look at you. People are ready to pick arguments.
I have a very long relationship with America. My mother grew up there and I felt to some extent that I partly belong there. I was schooled there briefly for about a year.
I think it's quite extraordinary that people cast me as if I'm Warren Beatty: until I met my present wife, at the age of 35, you could name two girlfriends.
I enjoy playing Mr. Darcy, but I'm not hungry to play Mark Darcy again.
I was in a lake in 'Love Actually', and I was attacked by some hideous aquatic beast and was rushed to the hospital by a man named Rafael! Something stung my elbow, and it blew up to the size of a tennis ball.
People coming up and saying something nice is always welcome. But when you're being secretly photographed, that's not so nice. I would rather shake hands with someone and exchange a few words than take a selfie.
I can't imagine seeing Batman in black and white. It was such a colourful TV series. I know. I'm ancient. It wasn't abnormal to be without a television in those days. People who had colour were special.
I feel more comfortable in drama. Comedy is a high-wire act. I find it stressful. It's a precision science in a way.
A life of very, very serious, po-faced films would drive me nuts. I need - and I'm fortunate to have - a fairly varied menu in that respect. I mean, I was shooting 'Mamma Mia!' at the same time as I was doing Michael Winterbottom's 'Genova'. That was a very, very bizarre summer.
I think that, often, actors represent what they're not. You get people who define the aristocracy who are not aristocratic - they're lower-middle class or working class. An awful lot of your so-called angry young actors have grown up in extreme bourgeois comfort. It really is surprisingly common.
'A great British icon' is not the phrase I'd use about anybody, but there are people you admire that happen to be British. I think it's a phrase that gets attached to anyone who's been around long enough to become overfamiliar.
Some people would say comedy draws from some dark places, from your dark stuff. Life's great optimists aren't necessarily the funniest people.
They're not bombarding me with offers, although the ones that have come along have been too preposterous to contemplate, so it's not as if I spend every day resisting $20 million pay cheques.
I was delighted to become a popular-culture reference point. I'm still delighted about it actually, and I still find it to be weird.
I'm not patient, and some things drive me crazy. In my work, I get incredibly upset when people don't get it right or don't respect others' needs.
We've always been involved with America - I have a son who lives there and it's a big part of my life.
Bridget Jones is part of literary lore now and actually to be a part of it is enormously flattering.
I do think I'm a character actor.
I haven't had to struggle very much. I haven't paid my dues. I think I have been lucky.
