There's a lot of fashion that I don't respond to and I just walk on. I always look for things that make me happy, and in my work, all I'm doing is trying to convey that joy. Fashion should always be fun.
— Jeremy Scott
You don't have to be born wealthy and have an aristocratic last name or have connections or all these things. If you have a dream, you can believe in something and work hard and struggle and fight for it and still have a chance to succeed.
My story is the American Dream, a hundred percent.
I want my clothes to have a life and then end up in a secondhand store, where some cool girl discovers them 20 years later. If the runway or red carpet is the only life clothes have, it's sad.
With the clothes I design, I think about my friends, how I'd want them to dress, what I'd want them to wear.
For me, actresses are constantly chameleons, and so they are taking a backseat to their own personality. I don't feel like we're trying to show off their personality as much as let them be a blank slate. It's precisely the reason why I dress more musicians than I do actresses.
Posterity is something I'm a big fan of because that's how you leave your legacy. Not to sound pompous, but just to be truthful.
I fell in love with L.A. To me, it is the most quintessentially American city.
Music and fashion combined make such a lethal weapon in my opinion.
I'm a populist. I'm the people's designer... It's important that there are price points that allow people in who maybe don't have the ability to have higher-ticket items - but they can still have something very emblematic of the collection.
I have lots of muses, but one of my main girls is Cara Delevingne. She epitomises the way to wear my clothes. I love how she mixes up her style and the way she has so much fun. I simply adore her.
I get love from fans in a big enough dosage that it acts as a shield, and I would not sacrifice that love in order to please the industry.
Designers have a reputation for setting the tone for what people - and especially women - are supposed to wear. How long their skirts should be, things like that. I have a different philosophy: put something out there with humour; let people see that and come around to it on their own.
There are so many serious things in the world; I just choose not to be one of them.
I think Barbie and I are very similar in many respects. That's why she made such a great muse for the summer Moschino collection.
When I had no place to live and I had no place to sleep - and I did sleep in the Metro - I held steadfast to the fact that I had a dream, a reason why I'm doing this... that it was bigger than this moment.
I look at myself like a farmer, harvesting my wares and taking them to the market, and then I go back and do it again.
One thing I have that the majority of other designers don't is humor. That's distinctly my approach, and it was distinctly Franco Moschino's, too.
Sometimes when I'm just really relaxed, that's also a creative time for me, because that's when my mind is more open because I'm not worried or thinking or being very analytical.
I ultimately do still feel like an outsider, and I do feel, actually, I'm more in the world of music because of how much I participate with musicians - in all aspects, not just clothes.
I was Hillary in '08. I love Obama, but I was Hillary first, so I was happy to be back there with her again.
I like to think of my work and the way people approach it in the same way people approach a Lichtenstein painting. You can write a one-hundred-page dissertation about why he used comics. Or it could be like, 'This is cute!'
I love MTV, and I love the VMAs. There's no award show like it. It really is the coolest award show, hands down.
I feel my role is to push boundaries. I don't like things to be safe and sedentary. So controversy is the cross I have to bear.
I know that my image and my clothing and my output are very colorful and can be arresting and startling in some respects. That is the nature of my work, but I am a simple farm boy, and I am very calm by nature.
I've met people with my prints tattooed on them, my face tattooed on them - I have that commitment and love.
Fashion should have a transgressive nature; it can make you feel like someone else, give you heightened emotion. It should bring you joy and uplift you.
Fashion is an ultimate luxury - I mean, you don't need it - so it should bring you pleasure and make you happy. I don't like the idea of people revering it.
When I was born, my family was so poor that there was no money to buy food. So the church bought groceries for us - there wasn't any kind of privilege.
Being pure in my voice has always served me the best. Anytime I've tried to hide my light under a bushel, it's never done me any good.
I'm an introverted extrovert. My job sets me apart, but I'm not hammy and don't need attention.
I'm very organic in nature with my creativity. It just kind of wraps around me, or it's a moment I have, a click of inspiration. It's never calculated.
I was born dirt-poor with barely a stitch on my back, and no name or prestige attached to me, and no real clout or connections.
I like the mix of something farmlike and something futuristic and artsy mixed together. It's kind of both my worlds.
I'm never going to be inspired by some obscure film, which isn't to say I don't enjoy that sort of thing. I just want to share my work with everyone.
I think one thing I've learned over the years is just that you're not going to ever please everyone, and the most important person to please is yourself.
I think fashion takes itself way too seriously. It's just fashion, people. It's just clothes. It should be frivolous and fun. You're not meant to see it as church and pray to a blouse.
When I design, I always pull from things that are significant to me. In my work, I search for happiness and then try to convey that joy in the clothes.
I'm not anti-intellectual, but primarily, I try to feel things. Emotions aren't always rational; it's not possible to put them into words.
A lot of my collections are informed by nostalgia. I think that's because I loved clothes early on. I remember, at maybe age five, being concerned about what I wore, right down to the underwear.
