I find myself going out less and less. When you're 22 and see older people start to do that, it's depressing, but once you hit 30, you think, 'Wow, I've been working all week - it might be really nice to stay in!'
— Josh Radnor
I'll say this, and this has nothing to do with gender or sexuality: You do not want to get licked in the face repeatedly by another human being. You just don't. It's not pleasant.
There are just things you can explore in a movie that you can't in 22 minutes with a laugh track.
A lot of times, we're just sold these movies that are really cynically conceived and marketed, and they just want you there opening weekend, before everybody finds out it's not so good.
I learned a lesson which I didn't heed: Don't put yourself in your movies. It's too much.
Acting on stage is still my favorite thing to do. And everyone who's been in musicals knows that there is nothing more fun.
The reflexive allergy to L.A. that a lot of New Yorkers have, I feel like it's kind of nonsense.
An obsessive attention to the news, I've realized, only serves to paint a picture of the world as a throbbing blob of dysfunction, most news falling somewhere on a scale from disappointing to calamitous.
We're like a gardener with a hose and our attention is water - we can water flowers or we can water weeds.
No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
It really shocks me when I encounter people who think kindness doesn't matter. Because I think it's pretty much the only thing that matters.
There's something melancholy about professors because they're chronically abandoned. They form these lovely relationships with students and then the students leave and the professors stay the same. It's like they're chronically abandoned.
All of the things I used to obsess over, I'm no longer as obsessed with. I have new concerns but they're a little more existential or cosmic.
Film allows me to ask some really big questions with the time to explore them deeply. I love the form.
My whole thing is that I want to explore why you read books, what's the purpose of reading, and maybe that it's not that cool to hate something just because it's popular.
It's really hard to be poor in New York - I was really poor when I lived in New York.
I don't think evil people or negative people are inherently interesting all the time. People who are good people getting better at being themselves - to me, that's something that's really interesting to watch.
I have really good female friends. I've never bought the whole men-and-women-can't-be-friends thing. I think that's sort of nonsense.
After a brief period in which I had let many a Southern Californian convince me that it was all 'in my mind,' I am once again officially allergic to dogs.
Sometimes I watch the broad comedies coming out of Hollywood and I think, 'You know, sex is a big part of people's lives, but is that really the only thing men are ever concerned about?' People are more complicated than they appear in film or television.
I distinguish sentiment from sentimentality. Sentimentality makes your skin crawl. It's like too much sugar. But, sentiment is a great feeling.
In college, you're kind of designing who you want to be. And I wanted to be a big reader.
My trick is the trick that everyone knows: Work really hard and prepare.
I like movies that are about real people in real time with real problems.
Time off from the news is always something I welcome.
One man's uplift is another man's sentimental hooey.
Kindness is not about instant gratification. More often, it's akin to a low-risk investment that appreciates steadily over time.
It never made sense to me that someone would achieve any kind of success in show business, only to become a jerk.
Cynicism is kind of like folding your arms and stepping back and commenting on things, like the old guys in 'The Muppets,' just throwing out comments all the time, whereas there are other people on the ground really trying to affect things and improve their lives and the lives of other people. I think it's noble and I think it's cool.
I kicked college nostalgia in my late 20s. As much as I loved college and treasure the memories, I no longer want to go back.
We don't have a lot of space in our imaginations to allow people to expand what they do.
I went through this very serious Woody Allen phase in college and a little bit after college. I still see his movies.
There's so much nonsense tossed around about L.A. and how horrible it is and 'don't go out there' and all that stuff. So I went out to L.A. and I was pleasantly surprised.
I think the word 'earnest' kind of has a negative connotation on some level. I think one of the things that's happened is that being cynical is somehow conflated with being sophisticated. I think that's problematic, to say the least.
It's strange to look back over a full season. Our characters have accrued all these memories, but so have we, the actors. And sometimes the character memories and the actor memories bleed into each other.
I haven't left the house without a packet of Kleenex in my back pocket for as long as I can remember. Whenever I start thinking I'm incredibly cool, the packet of Kleenex in my back pocket brings me right back down to earth.
I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.'
Everyone has expectations. You just don't want to have them dashed, so you're quiet about them.
What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
To write a story about New York that only deals with people in your age and socioeconomic bracket, that feels dishonest to me. So much of New York comes from everyone bumping into each other.
Here's the problem: I don't like who I've become when my iPhone is within reach. I find myself checking e-mails and responding to texts throughout the day with some kind of Pavlovian ferocity - it's not a conscious act, but a reflexive one.
Even though I occasionally appear on it, I don't watch television.
A movie can and should have some real dissonance throughout - rage, heartache, tears, conflict, catharsis and all the other elements Aristotle demanded of a good story - but the chord has to be resolved.
It's not our job to play judge and jury, to determine who is worthy of our kindness and who is not. We just need to be kind, unconditionally and without ulterior motive, even - or rather, especially - when we'd prefer not to be.
I actually have a thing about proper nouns. They clang on my ear in a weird way when I hear them dropped into movies.
I think that the mark of a great book is that it will meet you wherever you're at and you'll feel and experience something new and different each time you read it.
When I write a film, there's a particular thing I am wrestling with and the question or concern I'm dealing with has to be big enough for me to dedicate a year or two of my life. If the question isn't big enough, or rich enough, I'll lose interest.
We are so vocal about what we hate.
Well, I stopped drinking. That was actually a big deal. I didn't go through any harrowing rock-bottom experience. I just made a decision to stop drinking.
When I go to movies and I love the movie, it's because it feels like it articulated something about how we're living now, and also gives me some insight into my own life. I feel actually altered after having seen it.
