I'm one of those people that, if I hear about something happening, I go crazy. I want to go help.
— Lisa Marie Presley
I always loved singing and writing poetry. I always loved music, and I've loved writing my whole life. When I put them together, it was probably in my early 20s where I put words to music for the first time.
I want to write, I want to sing. I want to do the same thing for others, have my music, hopefully do that for others one day, not realizing what I sort of had to climb. I had an idea a little bit, but I think that I underestimated the whole thing.
I went through a huge transition in my life where everything and everyone I knew and trusted didn't turn out to be that way.
I take a situation, analyse it, break it down, put it in the form I want it to be in, and then I toss it away. Let somebody else go deal with it.
I think people think I'm harder and more arrogant and cocky than I am - because I know how to put on a front, but it's nothing like who I am inside.
I would describe my aesthetic as definitely personal and harmonious with an eclectic yet bohemian sensibility.
I have, in the past, been attracted to really strong and dominant men. But on the other side, I have been attracted to very androgynous men. I don't typically fall for your average jock. I just like people that are a little atypical.
I've been through a lot of stuff.
I've been through so much in my life. I've seen so much. I know how fast things can change. I know someone can be here one minute and gone the next.
I sit with the intention to write a record.
I've never even been out of my BMI range. I'm 5-foot-3. If I gain five pounds, it shows.
I dropped out of school in the 11th grade because there was no purpose in it for me. I'm not proud of this, and I'm not trying to promote it.
I was quite the spoiled brat. I have quite a temper, obviously inherited from my father, and I became very good at ordering everyone around. I was the princess; the staff were absolutely terrified of me.
I have a lot of memories, but I don't go into capitalizing on that. Something's got to be my own. I'm not doing the record to sit here and broadcast my memories of my father.
I never not wanted to be a singer. Since I was 3, I knew this was what I wanted to do. Well, I can't say I wanted to do it, but I fantasized and thought about it all the time. I never thought it would actually happen.
I wanted to come through with my own voice and, hopefully, have it affect people. I want people to know that I'm not an Elvis impersonator.
I think having kids just makes you want to do things to help people. You have children, and you see how fragile and innocent and helpless they are when they first start out. If they are going to be a victim of whatever they are surrounded by, I just do everything I can to try to make whatever change I can.
I work because I think that I wouldn't feel good about myself unless I was contributing.
I have always been a singer/songwriter, and I was pushed in places I didn't want to do, like pop or top forty. I don't belong there.
People that were in my life for a long time turned sinister and tried to control me, and all kinds of weird stuff happened. But there was no conscience involved; that threw me more than anything.
When I write, it's purging for me. It's a therapeutic process.
I don't ascribe to any particular style or period.
The period of time just before you awaken is the time I have my most creative thoughts and discover the best solutions.
If you lined up everyone I've ever dated, you wouldn't see any similarities.
It's hard for me to be happy because I'm always worried about something going awry or what could happen to screw it up. It's hard for me to sit and look around, going, 'Ah, I'm really happy.' I'm not that kind of person.
I like helping children. I have a big thing with children. You can correspond with the child, send something to them as a gift. You know it's actually getting there and you are doing something to help.
When I'm doing interviews, I'm doing interviews, and when I am writing, I'm writing. I sit there with a musician and I write. It's the same process since I started writing in my twenties. I like to come in and leave with a finished song.
You are always learning; there is a lot of grey; don't take things for granted.
I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.
I'm more prone to his '70s material, which is what I was around for and watched a lot. I listen to a lot of that stuff. It probably influenced me quite a bit. I'm more drawn to the darker, sadder songs.
I knew that because of who I am, and the situation I'm in, that I'd attract more critics than your average person, and that was a little intimidating, but I wanted to get out there and pay my dues.
Music has always gotten me through life, particularly honest, real music.
I really went back through a lot of the dark corridors of my life in this. I wanted people to know who I am based on my music, not on what they read in the tabloids.
I was always writing music anyway. I just sort of fell into it. Writing for me is a therapeutic process.
I don't think that I'm a top 40 artist in any way. So I don't think I'm that mainstream.
I have loved music so much from when I was little, and I don't know whether it was because I saw my dad doing it and then I got the idea; I don't know what came first... But I always had a hairbrush in the mirror singing. I was always with him backstage; I would go out and be pulled in for the last song.
Something happens to people around fame and power and money - it can bring out the worst and best in people; it's a monster you have to tame.
I grew up in the South with my father; blues and country, that's always been my core. But I had it in me not to do what was expected. I wanted to find my own footing.
I live with the things that I love: art, furniture, and objects that I have collected throughout my travels.
I want to pave my own path artistically.
Anybody in the spotlight can get lost in that if they are not careful.
Anytime I was in Memphis with my dad and at the house, I was happy. That was, like, a given. It was what I lived for. And I still feel the same excitement and warmth.
Between all four children and my husband, I don't get to do much. But when I am in England, I cook and I garden, and it's much more calming and relaxed.
I'm a lot of work.
I'm not eager to jump into marriage again. I'm in the corner right now, wearing my dunce cap. That area is obviously a nightmare.
I was very protective of my father and I didn't like these people who hung around outside all day. They creeped me out.
I like Jailhouse Rock and Love Me Tender. The black-and-white films. With music, I tend more toward the '70s stuff because I was at the shows for those, so they bring back memories.
On my US tour maybe three out of 30 shows there was an Elvis impersonator in the crowd but that's it. I usually get younger fans, and those that come that are of an older generation end up walking out because it's too loud.
I do like to write nasty songs. It's a useful weapon to have, and it's cathartic as well, because I create art out of anger, something positive out of something negative.