True terrorism, you know, weaponized fear. In defense of ourselves, we're fighting - actively fighting something else. But if you're going to fight terrorism, to me, you fight the root causes of terrorism.
— Lupe Fiasco
I think you have to ask yourself does voting work on the level that you are trying to effectuate change; that is the conversation you must have.
I'm trying to fight the terrorism that's actually causing the other forms of terrorism. You know, the root cause of terrorism is the stuff that the U.S. government allows to happen, and the foreign policies that we have in place in different countries that inspire people to become terrorists. And it's easy for us because it's just some oil.
I look at people like Picasso and Da Vinci and Escher and Miles Davis, and they'll write or paint that one definitive masterpiece of maybe 50 that they have that's really trying to go outside the box, trying to do something that's tough. And then when you accomplish it, you look back and go, 'Yeeaaaah - masterpiece.'
This nation was founded by rebels and revolutionaries, and its flags were carried across the battlefields by people who were very, very against the status quo and who questioned and criticized.
My whole team, it wasn't about putting the album out, it was about getting off the record company and going independent or going to another label. To the point we were like, 'Listen, just take 'Lasers.' You can have whatever percentage off the next ten records I do for the rest of my life. I just do not want to be here anymore.'
The story of 'Lasers' is my story. I didn't have to look too far to get subject matter for this record; it was stuff that was happening to me.
I was born Muslim, but for a large part of my life, I wasn't necessarily raised Muslim. My father always kept everything around us, from Western philosophy to Eastern philosophy.
I have so many miles and I've been flying for so long that every time I fly, it's first class. It's one of those things that, if I needed to jump on a plane, and fly to Spain tomorrow, I know I could get it done. Just like that.
I always preach that you have to be active as a citizen no matter what, and some people just voting as an excuse not to do anything.
All the big revolutions, whether it's the Industrial Revolution, the Arab Spring, those changes happened by economic and social shifts brought about by the people's voices, and those things weren't voted for. Most of our changes today are brought about through technology, not by voting.
I think it is important that you have people from all different vanguards, from all different walks of society and different viewpoints to be focused on the struggle for equality and democracy. We need as many champions for the cause and as many events as possible to help keep this in focus.
Chief Keef scares me. Not him specifically, but just the culture that he represents.
I don't really get the same kinda romance that I would get from, like, jazz. And even to a lesser extent to rock 'n roll. Rock 'n roll has a romance to it - how can I put it? A very vulgar romance, but still a romance; whereas hip hop has more facade.
I think that American presidents, that position in itself, as well as American foreign policy, it has terrorism in it. CIA agents going to overthrow certain governments - they're using terrorist tactics. They're not going in there like, 'Hey, you wanna have some cake?'
360 deals are the new things of the industry. It's not about selling records; it's about selling T-shirts, getting a piece of your publishing, getting a piece of your touring, and all these other kind of properties.
I have an understanding of Queen and the way Freddie Mercury did his harmonies. I know what tablas sound like, because my father played a lot of Ustad Ali Akbar Khan.
I always saw two sides of life. I saw the dudes who would be the gangsta, big-time guys on the block, but would also be dedicated fathers. It was kind of weird to see that dual story that everybody has.
Reggae, oh man. It's the ultimate music. The positivity. The musicality. The whole cultural expressionism of it. The danceability. Just the cool factor. The melody factor. Some of it comes from a religious place. If there were a competition of who makes the best religious music, it would definitely be the Rastafarian reggae.
Barack is at a level where he can't - no matter how much he wants to or how much we want him to - he's not going to come take out our garbage, so to speak. He can't be the garbage man and the president. He can't be the mayor and the alderman. He can't fill all those roles. So I always push for local, local activity on the political scene.
In Chicago, you have an absence of strong family units, and that absence gets filled by gangs. You have a failure in the school system, after-school programs and other social programs to help keep kids off the streets. Amnesty International speaks to that in some way, by keeping these issues in the forefront.
In my fight against terrorism, to me, the biggest terrorist is Obama, and the United States of America.
You know, my goal, once I leave the music business, is like, 'Man, Lupe didn't lead us astray.' It comes directly from Islam: leading people astray is the worst thing you could do. Especially in perpetuity; like, your music continues to go on and live without you. That risk is too great for me; I'm gonna keep it positive.
You have educate the masses to exactly what their tax dollars are going to pay for. I think once people educate themselves and open up their minds to understand that on that really basic level, then you'll have some type of change in the way that Americans associate themselves and participate in their own political process.
It definitely wasn't like, 'Hey, I'm going to steal that, and nobody's going to know.' The original 'T.R.O.Y.' came out in 1992, and it was like a 20th anniversary kind of thing. All of those intentions were there for it to be resurrecting a classic for a new generation. I tried to honor it.
I trust people to be human. Sometimes you do things that make amazing amounts of sense; sometimes you do things that don't make any sense whatsoever.
I can't play any instrument for the life of me, but I know what I want to hear.
Oh yeah, I'm literally walking through my house now looking down and there are maybe, like, 15 pairs on the floor. For real. Real talk. It's just simplicity. They're something I wear every day. Before I got a deal with them, I was wearing some type of Vans all the time. I would just order them by the box, like, 10 at a time.
Sometimes I do feel hopeless when I look out and scream out through my music, and I scream out through these interviews, and I scream out to people to kind of get their attention back on the things that are meaningful. There's people dying on the streets of Chicago - young people, young men and women who are losing their lives.
