I can never sit still. I wanna hurl myself into life.
— Madi Diaz
Hopefully, one day I won't have to be so caught up in all of that day-to-day, the Twitter and the Instagram. But I also would like to, at some point, turn off and take a break and also be, like, an artist.
I could never ever say enough about Matt Amato. He has an indescribable presence; this warm, loving, serene calm with intense interest and excitement bubbling beneath his exterior.
I was pretty lucky to get into Berklee at all. I never really had any theory or music-reading capabilities; I was completely by ear.
Both of my parents were super music lovers when I was growing up - they had a massive record and tape collection. I think my dad even had a couple of laser discs, but that was a short-lived thing.
When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
My parents were big music fans, and my dad plays music, so I grew up with Madonna, Frank Zappa, the Beatles, Alice In Chains... it was all over the place. I had a Third Eye Blind record, but I also had Korn, Courtney Love, and Shania Twain.
It took five days to drive to Los Angeles by myself. I listened to Abbey Road for six hours at a time and watched the desert open up before me again and again. I saw the sun set and rise at the Grand Canyon, and I sang out over the cliffs, picked up tumble weeds along the way and threw them in the back of my car.
I love to perform at benefits and charity fundraisers.
There isn't a single artist out there, I'm sure, who wouldn't take the most perfect record deal. If the right record deal came along, like, the perfect deal, we'd definitely take it.
My parents were super supportive of my big dreams; I was pretty lucky. I guess I became a musician because I didn't see myself doing or loving anything else as much.
It seems that for all of the artists signed to a major, there exists the same amount of artists that are struggling to break through to the surface within the label. I think, ideally, we'd end up with a very well connected competent indie team that will be along with us for the ride, however long that ride may be.
When I moved to Nashville, I didn't really let myself sonically explore, but things naturally got a little more poppy. And in L.A., even more so.
One of my favorite feelings is the sense I get from pouring over parts of my past before lighting them up and leaving it all behind me to start over again.
I use Shazam all the time.
I'd say, for my freshman year in college, I was doing everything in my power to hide the fact that I had ever had any association with the Paul Green School of Rock Music because it was like this bruise. It was such a sore subject.
My dad was a musician who went to Berklee, and he made me learn piano when I was five.
Coming to Nashville has been so motivating and inspirational. Just watching people live and breathe their music and create something that they can feel from start to finish.
When I was in Boston, I was doing a lot of Americana stuff - I fell in love with Ray LaMontagne, Patty Griffin, and Neil Young.
