Everyone writes differently. I hope to get people energized so they'll want to rush home to write.
— Mary Balogh
It's this idea that success changes you as a person... I've never seen my career that way.
I am a bit of a head-in-the-sand person as concerns things happening beyond the walls of my study. And I don't feel particularly guilty about that. I figure that my primary job is producing the very best stories I am capable of writing, and that is what I concentrate upon doing. That is within my control.
Since 1988, I have been writing steadily. I did decide a couple of years or so ago to scale back to writing one book a year - a sort of semi-retirement. But I never did have much success with that plan!
I never think that any writer can teach someone how to write.
I think I wrote 'The Trysting Place' in about three weeks. But it was inexperience that made me have to do that. I didn't feel good about the book all the time I was writing it. It felt a bit like wading through molasses.
I do what I love and what I always dreamed of doing for a living. I write love stories, and I have always had a publisher willing to publish them. I have a sizable and loyal audience. I have made best-seller lists and won awards. What more could anyone ask for?
I have written more than 100 novels and novellas since 1983 - I was first published in 1985. There was an overlap of three years with my teaching career, but finally I felt good enough about my writing career to quit teaching and write full time.
I have people introducing themselves to me: 'I am your publicist; what can I do for you?' But I have never learned how to use a publicist.
I fancy the romantic image of myself being soothed and inspired by music and the sweet aroma and flickering lights of candles.
I don't know quite how a story develops in my head. It is a bit chaotic. If I am working on a series, one of the main characters at least is already in existence as well as some setting and minor characters. Finding the other main character can be a challenge. Sometimes this character already exists in a minor role in another book.
I have a British voice and a rather formal one at that, having been brought up in post-WWII Britain. My voice is perfectly suited to the sort of book I write, I think. It would not fit a contemporary, besides which I do not know enough about the contemporary world to write convincingly or comfortably about it!
