I'm a class mongrel.
— Melvyn Bragg
Class doesn't create culture anymore.
I'm addicted to 'Game Of Thrones.'
Sometimes, you're just moved by people's journeys.
To give religion two minutes a day, in its own space, isn't exactly selling general morality or atheism short.
We listened to a lot of drama, adaptations of books, comedy. There was a real love of music expressed in choirs, because you didn't have to have instruments except your voice.
I don't go around thinking I'm attractive or not attractive. It has never occurred to me. People don't think like that where I come from... No one has ever said, 'Oh, he's a good-looking bloke.' They just didn't use those words about men.
The BBC does a sterling job, but I'd like to see it do more. ITV does four arts programmes a year; it used to be 28. At least Sky, with its two arts channels, is trying.
Work is a great blotter up. It stops you thinking, which is useful. No, it stops you feeling.
I enjoy what was called 'swotting' in my day.
Once, the arts were opera, ballet, classical music, and everything else deemed highbrow.
Dame Barbara Cartland was an endearing eccentric, and when I interviewed her, she wanted me to listen to her dictating to her secretary one of those romantic novels that she turned out fortnightly.
Connery made Bond real through his physicality. He did most of his own stunts and fights, and the audience knew it was him.
We start out as sand and soot out there in the universe, and who knows, in 40 trillion years' time we might come back. But if we come back without memory, it doesn't really interest me.
I'll never forget my interview with Barry Humphries - one of the oddest I've ever done. He insisted that for half the time he appeared as Dame Edna. So I interviewed the real Barry Humphries in a suit and tie, and then I interviewed Edna in full fig in her dressing room, where she criticised Barry mercilessly.
I'm not a fan of the working class being mocked, including by some of our famous writers - even those who came from it.
My life is not very different from what it was 20 years ago. In fact, my career hasn't changed much since I was 22.
We were working class, and you don't lose that. Later on, I bolted on media middle class... and now people like me are in the House of Lords.
Darwin talks about evolution, but he doesn't say how it started. Maybe the sense of mystery will dissolve in the face of science, but I am not so sure. We are all described by the human genome, but it's getting people nowhere.
I like the fact George R. R. Martin took Shakespeare's political plays as material, but he also took on all sorts of other sensational stories and mingled them in together.
I don't get nervous when I'm interviewing someone on film - it can be cut, and we can do it again. It is quite nerve-racking doing things live.
That's why writing is important to me. Time goes past, and you've been somewhere and come back that hasn't hurt you, and you've been somebody else.
If I meet pals, we do hug each other, and it's very nice, you know... it's something that's come on me late and became second nature, and it's first nature now!
Well, I don't think I'm good-looking... I know people who are good-looking, and I'm not good-looking.
Britain is undoubtedly becoming more cultural. No question of it. People who say it is dumbing down simply don't look around enough. They don't know enough.
I don't want closure, I don't know what that means or why you would want it.
The idea that popular arts were shallow by definition and the traditional arts were profound was dead, I thought, and I wanted to prove it.
It was my idea for high culture and popular culture to be treated equally.
Craig has explored the darker recesses of 007's psyche. He has shown us the lonely man. And he has shown him falling truly in love.
What artists are doing, and what people who are receiving the arts are doing, is entering into this agreement to occupy a parallel world. The parallel world is ever-expanding. We used to think that it existed only for people who were wealthy, well-born, or educated. It isn't like that.
I don't believe in a personal God, no. And I don't believe in resurrection as it is in the New Testament.
Too old at 72? Careful. Ageism is out. We'll have the law on you!
I decided years ago that I am just unfashionable.
I don't feel like I'm slowing down.
I'm going to try and make you take the Beatles and Eric Clapton as seriously as the Berlin Philharmonic and Simon Rattle.
My memory seems to be holding on quite well. There is no reason why it shouldn't if you keep training it.
People in jobs that they hate must be worn out.
A structure is a bit like a story. People will go along with you - they see where you're going.
I don't feel inferior in the slightest to anybody - or superior to anybody, let's get that clear. But I do feel different.
Now, perfectly ordinary people will give each other hugs. I mean, it used to be that a hug was reserved for if you came back from Australia - you know, back in the '40s and '50s.
The driving force behind 'In Our Time' is that I want an education. I want to know more about science, say, and if I want to know, then other people probably do, too.
It is in our culture that we don't want to admit that our culture is good.
I've been writing since I was 19.
I wanted 'The South Bank Show' to reflect my own life and that of the team around me; to stretch the accepted boundaries and challenge the accepted hierarchies of the arts; to include pop music as well as classical music, television drama as well as theatre drama, and high-definition performers in comedy.
There is some brilliant pop music and some very poor classical music. And why shouldn't comedy be treated as seriously as drama?
In a sense, Bond ousted the cowboy as the screen hero, and Ken Adams replaced the horse with technology.
There's a lot of hours in the week if you use them properly.
The best of pop in our country is among the best of the arts that we do. And Britain does the arts as well as, and sometimes better than, anybody else on the planet.
I've been making arts programmes for almost 50 years, and every day, I can't believe my luck.
I was brought up in a strong working-class community by working-class parents and relations until I was 18, and that's what I really am. Now all sorts of things have been added, but that's what I am.
