Push the envelope too far as a female artist, and you may only earn an ocean of ink expressing concern for your delicate constitution, amounting to a caution against playing on traditionally male wavelengths.
— Michelle Dean
Most academic historians accept that historians' own circumstances demand that they tell the story in a particular way, of course. While people wring their hands about 'revisionist' historians; on some level, the correction and amplification of various parts of the past is not 'revisionism' as it is simply the process of any historical writing.
There's no good way to be the center of a media maelstrom you did not choose for yourself.
There are many things to like about 'Mr. Robot,' the most ephemeral and yet memorable of them being the opening credits.
There is an unfortunate side effect of being a person of few words: Sometimes people will assume you are less intelligent than you are.
Hollywood versions of watershed moments in American history are generally high-minded shlock. 'JFK,' 'The People vs. Larry Flynt,' even 'Lincoln': all of these boast excellent performances in scripts that are ultimately very conventional, even conservative.
Peak TV has resulted in beautiful shows that have nothing in particular to tell us about humanity.
A good novelist pays attention to his characters. A good biographer pays attention to the documents before her. A good critic pays close attention to the thing she's brought to evaluate.
A lot of people produce podcasts in which they simply ramble on for hours about themselves and their lives. There is something very poignant about the volume of human desire to be heard out there in the Wild West of podcasts.
Prestige podcasts, like prestige television shows, tend to have an audience that believes itself literate, well-informed, and reasonable. Listening to podcasts, in this model, is a form of virtue.
Even the best novelists are rarely congratulated on the quality of their observations about contemporary life.
Feminists are disappointed in each other a lot, a natural side effect of being involved in a movement, which naturally implies that progress toward the ultimate goal is the only measure of success and that setbacks are always disasters.
My parents and I - I'm an only child - are not particularly religious, but I was christened and raised in that vague and characteristically Canadian form of Protestantism known as the United Church.
A presidential candidate changing churches is hardly unusual. Jeb Bush, Scott Walker, and Rand Paul have all aligned themselves with different faiths throughout their lives.
It is no secret, of course, that people have strong feelings about fat - feelings that seem only to have been inflamed by the sense, in western countries, that there is an obesity crisis afoot. Concerns about health have mutated into a kind of panic attending any mention of fat people at all.
Poems are ideally suited, in some ways, to social media because they pack so much meaning into so little language.
A certain kind of person in America loves to note that they're currently soldiering through the latest Pulitzer winner for history, in particular. It connotes a certain gravitas, a connectedness to the literary and intellectual scene that most upwardly mobile professionals in America still desire.
Hillbilly stereotypes have always made it easier for middle-class whites to presume that racism is the exclusive province of 'that kind' of person.
Would we even recognize an Oliver Stone production if it didn't kick up the usual fuss?
The plot of 'Stranger Things' is so simple that even a brief description risks spoiling it.
Among journalists, there is a saying: 'If it bleeds, it leads.' This can result in some serious hustling - and some serious sloppiness - whenever a crime occurs. The public's longing to see and hear salacious details is, basically, endless.
Articulateness is not the only way that intelligence manifests itself.
The alienated man lashing out at society is a trope that popular culture loves to explore.
In an age where television is viewed as the best medium to 'tell stories,' narrative often stands in for substance on would-be prestige shows.
The desire to abdicate, to give up - for me, that's primal.
If you care about a subject, there's a podcast for it.
Research can be a boon to a novelist - there are more things in heaven and Earth than can be dreamt of in a single writer's philosophy - or it can become a hindrance, a thick layer of algae that weighs down the storytelling.
We do learn a thing or two from art. It may not be the one-to-one instruction of a moral lesson or the rote learning of a grammatical rule or mathematical concept. But the habits of mind art cultivates are important.
Writing a novel about feminism can be a thankless task.
Saying that you spend Christmas alone is, to most middle-class Americans, akin to confessing a terminal illness.
Novelists do not swing on the same pendulums as critics.
There are, of course, fat characters in books out there, some of them quite enduring and famous. But they tend to be creatures of young-adult or commercial fiction.
The phenomenon of Instagram poets - who are also, to be fair, Tumblr poets and Pinterest poets - has been one of the more surprising side-effects of the selfie age.
Book awards - in America, at least - are not like the Oscars. Awards are not cumulative, and in the case of something like the Pulitzers, the jurors often have another goal in mind: sales. They know that the Pulitzer stamp can sell a book.
Beauty pageants in general are foreign and noxious to me: I can barely muster the energy to put on lip gloss and mascara.
The real discovery of having your consciousness raised was never that you'd be handed tools; it was the discovery that the only real leverage you get in life is yourself.
The children of the 1980s were the last before a lot of things changed. We were the last generation not to have cell phones, not to have video games, not to have parents who worried if we strayed from the yard.
It's become a cliche to say that a piece of drama is about 'the nature of truth.' But 'Rectify' so openly plays with the slippery nature of memory that the label directly applies.
For a long time now, movie characters have generally been articulate, even chatty. Call it the influence of Woody Allen, but we have become used to characters who are well able to explain themselves to others.
People spend their entire lives trying to construct something to grab onto: a family, a home, a business. Rarely does anyone seem to manage to get much ground under their feet.
Telling a story about someone has enormous power. People forget a headline. They remember a story.
I have deliberately arranged my life so that I see pictures of cute animals on the Internet every day.
Podcast listening carries with it a faint aura of cultural snobbery, a notion that to cue up an episode is to do something highbrow and personally enriching, whether it's a history lecture broadcast from a university or an amateur talk show recorded in someone's garage.
There is something a little vulgar about writing a novel that is too close to the present, too concerned with current events, too eager to critique technological advancements.
Great novels are maps of complication, leading nowhere in particular, taking stances only provisionally and obliquely, happy to be tangled and to lack as many answers as the people they seek to depict.
I could be imagining it, but I believe myself to have exchanged sly, understanding nods with other people I see attending movies alone on Christmas Day.
Self-publishing has been a dubious challenge to traditional publishers, at best.
Indeed, there has never been any sort of organised movement of people who take their cats into the outdoors. Of course, the navy often took them on ships, but there they performed a function, mousing for the officers.
We are reminded repeatedly, often by older men, that western civilization has died on the altar of social media.
The Festival of Books is indeed a well-oiled machine, one which leaves most of the other literary festivals in America, including vaunted Brooklyn's, in the dust.