When you're devoted to a greater freedom in the world, you're willing to compromise something you love.
— Nazanin Boniadi
Generally, I love being part of a project that imparts a positive message, is somehow educational or enlightening, helps to bridge differences, or inspires viewers in some way.
It's been an interesting progression, going from soap to a sitcom with 'How I Met Your Mother' and now being a series regular on 'Homeland.'
In a lot of ways, I think television is better for women than film.
Despite the fact that Rouhani has been a long-time insider in a government that has committed countless human rights violations, and that he himself called for the execution of peaceful activists in 1999, many people inside and outside Iran are optimistic that he might indeed favor greater respect for the rights of the Iranian people.
Our rights are interconnected and inseparable. When freedom of expression is threatened, the rights to freedom of association and assembly, of thought, conscience and religion, are also compromised.
Women and girls, men and boys all share the right to live free of violence, which is, unfortunately, experienced by both men and women. Women and girls, however, disproportionately experience violence due to a deeply rooted global culture of gender discrimination.
Violence against women and girls touches every corner of the globe and is one of the world's most pervasive human rights violations.
When President Hassan Rouhani was elected in Iran in 2013, he welcomed back the far-flung children of Iran. But one by one, they have been arrested and imprisoned upon their return, a fate that has made me increasingly reluctant to risk going back to a homeland I've not seen since 1992.
I was shocked when I heard that Farghadani had been sentenced to 12 years and nine months in prison on spurious charges, as Amnesty International notes, of 'spreading propaganda against the system,' 'insulting members of the parliament through paintings' and 'insulting the Supreme Leader' with her cartoon.
As an actress, I value and rely on peaceful self-expression, not only in my daily life, but also in my professional work. This is particularly true, as my commitment to the promotion of human rights is an integral part of my calling as an artist.
It's tougher for women than men in Hollywood, period, if you ask me. As with most professions, women have generally not found equality with men when it comes to income and influence. There aren't as many female directors, producers, and writers, which translates to fewer complex roles for women.
To have art suppressed is very dangerous to society.
A celebrated and hugely popular actress in her native Iran, Ahangarani first landed on the radar of the Iranian authorities for her open support of opposition figure Mir-Hossein Mousavi, which led to her arrest in July 2009 in the aftermath of a disputed presidential election in Iran.
Frances Conroy - brilliant, brilliant actress.
I always say, as an actress, I get to portray the human condition, but as an activist, I get to change the human condition.
I was always fascinated with science, and being Persian, it's instilled in us at a young age to follow something very academic in our career.
'Homeland' is great at challenging our preconceived ideas.
When you or your loved ones escape repression, you often find yourself committed to ensuring that freedom prevails.
The entertainment industry isn't a line of work encouraged in the Persian culture. When I called my dad to say I wanted to quit medicine, there was about three minutes of silence. I'm not sure he knew what to do with himself!
The people of Iran have had to endure repressive laws that have stifled their freedom of speech and religion for too long.
As an Iranian woman and activist, Sotoudeh's plight resonated with me on a deeply personal level.
Dance connects us to the musicality of life and to one another. No one should be denied such basic pleasures.
My parents realized the dangers of raising a daughter in a social, political, and legal climate that was growing increasingly oppressive toward women and girls. Although they fled to London when I was just three weeks old, the challenges facing women's rights in Iran became ingrained in my social consciousness.
Medicine, anything academic, is a very Persian Iranian route to take in life, in one's career.
Jason Rezaian, held for 544 days in Iran, was not a spy but rather a 'Washington Post' journalist whose work aimed to increase cultural understanding between Iran and the world.
History's lesson, of course, is that attempts to suppress free expression have merely confirmed the caricaturists' original critique of heavy-handed and objectionable actions of overreaching governments.
I was born in Iran, which has a predominantly Muslim population, and I have relatives who are devout Muslims, so I know what it means to be judged based on your appearance and what you're wearing. But your ethnicity and your clothing do not define who you are.
In 2013, I started playing Fara Sherazi on 'Homeland.' I love playing her, not just because she's a strong woman, but because for the first time, a Muslim woman is being portrayed on television as a regular person, rather than a cliche or collection of stereotypes.
My human rights activism has been widely met with encouragement and support. Ahangarani should earn plaudits, not only for her cinematic achievements, but also for her humanitarian deeds and her commitment to increased rights and freedoms for all.
In my role as a spokesperson for Amnesty International U.S.A. and as a supporter of various charitable causes including Unlock Iran, a campaign to release prisoners of conscience in Iran, I have never been faced with the threat of intimidation or arrest.
In real life, too, women love to be that girl who tames the bad boy.
It's bizarre to be given an award for being empathetic and kind, which is what we all should be.
How often do we see a Muslim woman who is intelligent and independent, and has a voice of her own and is career-driven, on American TV?
I think a culture can really be elevated through the arts, and it's always a dream come true when I come across roles that enable me to fuse my love of storytelling with my passion for activism and raising social awareness.
I entered the acting world at a time when there was a higher demand for Middle Eastern actors in the post-9/11 world, and yeah, the roles weren't great.
Clothes are a big part of a free society, I think, and what you wear is so indicative of the political climate you're living in.
Although each human rights victory energizes us to continue our work, there remains a deep sorrow for those prisoners still wrongfully languishing in jail.
While awareness-building is a crucial first step, cohesive efforts are needed to translate this into real-world change.
Artists often become vocal advocates of freedom of expression because we depend on it so heavily in our work. But it is an inalienable right that belongs to everyone on an equal basis.
For me, the struggle for women's human rights began the moment I was born in Tehran at the height of the Iranian Revolution, a time when the status of women was quickly deteriorating.
The thing that I love about 'Scandal' is every character, it's not clear if they're good or bad. Everyone is both good and bad.
Nazanin Zaghari-Ratcliffe was not engaged in subversive work; she was an apolitical project manager with the Thomson Reuters Foundation, the charitable arm of the Reuters news agency.
Although it is hard to see why any sensible authority would feel threatened by the peaceful expression of one's point of view, there is a long history of trying to repress subversive depictions of political figures - back in the 19th century, for example, France's King Louis Philippe was depicted as a piece of fruit.
I decided to start acting in my mid-twenties. I studied pre-med, and I have a bachelor's degree in Biology, so when I decided to pursue a different career, I got a lot of, 'What on earth are you doing?' But, I gave myself a year and thought, 'You know what, I'm going to just beat the odds.'
As far as the 2009 elections go, there has been a serious crackdown on human rights in Iran, a clampdown on the media and the wrongful imprisonment of journalists. So it seems what's happening is the government is going after people who have a voice, people who change society or public opinion.
The idea that an actress - mostly lauded for her performances in more than a dozen films - somehow represents a threat to Iran's national security is laughable at best. But in Ahangarani's case, far from anything humorous, the allegations have actually resulted in the sober prospect of real prison time.
It's nice to see different dimensions of a character. A love interest and family life are always, I think, important in creating layers and textures.
First of all, I'm Middle Eastern; I'm Iranian, so to be playing a leading role in a big Hollywood movie, I think, is possibly one of the first times.
I was very successful, and I graduated with honors. And then I called my dad, who still lives in London, and I said, 'Dad, thanks for college, but I'm going to go act now.' It didn't go over very well.
