New Zealand is weird. I mean, it does not seem of this earth, not to me. It really is like something made up.
— Peter Heller
I just love when the learning curve is steep. And I love being in nature, in the wild.
I wrote strong advocacy stories, and when I got to fiction, I made a deliberate effort to leave that behind and enter a country where I had no ax to grind, no advocacy issues that I was carrying with me.
There's always been in my life that tension between living and writing. For me, because I'm so physically exuberant, it was extra hard to sit still at the desk and put in the hours that you need to put in to write.
I write a lot of environmental stories.
The one thing they didn't tell you at Iowa is how hard it is to make a living writing fiction and poetry.
I always wanted to be a writer. I was writing poetry when I was 6.
My dad was a copywriter on Madison Avenue at the same time as the TV show 'Mad Men' is set. My mom raised the kids and was a scholarship coordinator at a school. More importantly, dad was a writer and my mom an artist.
I got out of Iowa all set to be a poet and a novelist, but you know what? It's really tough to make a living as a poet.
I like the drinking-out-of-the-fire-hose approach - you're getting way more than you can handle.
I don't know if we will really have a doomsday for human beings, but if we did, to me, it wouldn't be an unjust outcome, given how many species we're taking with us every year.
When I got out of college, I had to make a living, and I started writing for magazines, and it felt like the perfect job.
Yes, I love poetry, both to read and to write it. A first love.
The great thing about being young and dumb is that you don't know what you can't do.
A lot of my nonfiction is very strong environmental stories - I was the first guy to write about the dolphin killings in Japan.
With fiction, I felt like I could bring to bear my full imagination, my entire heart, and so you feel very vulnerable. It's not your physical life, but it's everything else, so it felt like a lot was at stake.
Writing 'Dog Stars' was coming home. My spirit just sang. It's what I wanted to do my whole life.
Loss is universal. I've lost grandparents that I dearly adored, lost animals that were like brothers to me. Many of us have gone through terrible breakups.
I love to fish almost more than anything.
Kook means the clueless beginner who paddles his surf board out to the other surfers in the lineup and starts chattering away like it's a cocktail party, completely ignores all the finely-tuned protocols of surf that have developed over decades.
I've always wanted to be a novelist, so I just try to write really great narrative.
Surfing is a life path. You have to really commit... You have to let go and have faith that it's gonna work out when you take off.
I write a thousand words a day, and I always stop in the middle of a scene or thought, and it makes it easy to pick up on the next day.
I remember the cover of this one L'Amour book showed a guy on horseback, leading a pack horse across a creek in the snow. Something about that cover - all I wanted to do was drift the high lonesome on horseback.
Wanted to write fiction since I was 11, since I first read 'In Our Time' by Hemingway.
The great thing about fiction is that everything you care about ends up going into the book.
I'm fascinated by characters who are faced with big losses and have to put their lives back together again.
Writing nonfiction, you're responsible to posterity, to history, to other people because the events happened, and you feel responsible to record them as they happened.
I had to make a living, so I got happily diverted into writing about expeditions and adventures.
My dad's wife, my stepmom, is a serious painter. My dad also paints. My mother is a brilliant sculptor, and her husband is a sculptor.
I have two younger sisters, and it was a family full of creativity.
Species are going extinct because of habitat loss and warming. I feel deeply responsible and think about it every day.
All my journalism, all my books are first person, and it's all memoir. Even when I'm writing about the oil spill in the Gulf, it's all first person there.
Huntington Beach is like ground zero for surfers.
Writing, to me, is like kayaking a river. You are paddling down, and you come to a walled-off canyon, and you make a sharp turn, and you don't know what's around the corner. It could be a waterfall, it could be a big pool. The narrative current carries you. You're surprised, and you're thrilled, and sometimes you're terrified.
