Jimmy Stewart lived for movies, fought for his country, and died for love. Now isn't that a wonderful life?
— Richard Corliss
Bond, especially Connery's Bond, was an existential hired gun with an aristocrat's tastes - just right for a time when class was a matter of brand names and insouciant gestures.
We lived a lovely, middle-class, suburban life in Philadelphia. And I really thought that the TV programs of the '50s, like 'Father Knows Best' and 'The Adventures Of Ozzie And Harriet' Nelson were documentaries filmed with hidden cameras in our neighborhood.
In 'Blade Runner,' the here is quite enough: a vision of dark, cramped, urban squalor. This is Los Angeles in the year 2019, when most of the earth's inhabitants have colonized other planets, and only a polyglot refuse heap of humanity remains. Los Angeles is a Japanized nighttown of sleaze and silicon, fetid steam, and perpetual rain.
If you think of the 1930s in film as the decade of Gable and Lombard, Cagney and Harlow, Stanwyck and the Marx Brothers, think again. The biggest star - No. 1 in the 1936, '37 and '38 exhibitor polls - was a three-time box-office champ before she was 10. Shirley Temple, singer, dancer, and prime exemplar of Movie Cute, owned the '30s.
'Noah' is about a man whose mission is to obliterate Earth's past and godfather its future. Replacing the word 'God' with 'Creator' and taking other scriptural liberties, the movie risks confusing those who don't take the Bible literally and alienating those who do.
'Under the Skin' is handsome, in a dour way, but inert - a cunning experiment that died in the shooting or on the editing table. You'll want to get the DVD, though, and not just for its study of Scarlett. Odds are that the Making-Of documentary will be far stranger and more fascinating than the movie that was made.
Disney features, especially the early ones, were horror movies with cute critters: Greek tragedies with a hummable chorus. Forcing children to confront the loss of home, parent, friends and fondest pets, these films imposed shock therapy on four-year-olds.
Like 'God's Not Dead,' the fundamentalist Christian movie that has become a popular hit, 'Transcendence' is essentially a dramatized debate. And as 'God's Not Dead' stacks the rhetorical cards for the Deity's existence, the Pfister film eventually hangs back with the Luddites.
'Chef' is a dish of arroz con pollo served with a smile but not much style. The critic in the film would give it a low grade, for agreeability without ambition.
Jolie's exotic mixture of brains and glamour makes her the one reliable international star, and one of the few of either gender to make people in every country pay to see her.
On 'American Top 40' the Kasem voice soared and swooped, like an expert aural acrobat, through promos, jingles and dedications, usually rising to a dramatic peak for the top-selling song of the week.
'Tammy,' the new movie starring, produced, and co-written by Melissa McCarthy, could be an artifact from some alternate universe: the creatures there resemble Earthlings but have an entirely different and debased idea of what's funny.
A home movie of a fictional home life, an epic assembled from vignettes, 'Boyhood' shimmers with unforced reality. It shows how an ordinary life can be reflected in an extraordinary movie.
Viewers who invest two hours in a superhero movie often leave feeling entertained but somehow dumber.
In my experience, copy editors, like the stalwart staff I've worked with and learned from in my 34 years at 'TIME,' are linguistic conservatives - the keepers of the flame ignited by the Strunk-White 'Elements of Style,' published in full in 1957 and chosen by 'TIME' as one of the 100 most influential nonfiction books of the past century.
Obamacare notwithstanding, the current president's progressive instincts have been neutered by the rise of the Tea Party and Luddite conservatism.
Ask Bond-watchers of a certain age about the six actors who have slipped into Bond's Savile Row suits in the Broccoli franchise, and they might say it's really Connery and five other guys - since he, being first and being Sean, stamped the role with his sulfurous masculinity.
Before sequels became the most reliable way to make a buck, Bond set the standard for lavish serial adventures. Before Hollywood found gold in multimillion-dollar adaptations of comic-book characters - in the Superman, Batman and Spider-Man blockbusters - Bond was the movies' first big-budget franchise superhero.
'Blade Runner' was one of several dystopian science-fiction films to tank in the early and middle '80s. 'Tron,' 'The Dark Crystal,' 'The Keep,' 'Labyrinth': none found a large audience.
Ambitious of vision and swooping of camera, 'I, Frankenstein' is no 'I, Robot,' let alone 'I, Claudius,' but it's definitely watchable on a cold Jan. evening or, a few months from now, on your I, Pad.
Although the Academy prefers their Best Pictures grounded in realism, not fantasy, Lee's 'Life of Pi' win proved that the voters understand and appreciate the qualities a visionary director needs to create an otherworldly adventure.
After two terms as California's Governator, Schwarzenegger slipped comfortably back into pictures with 'The Last Stand,' a modern Western, then crammed into the wide screen, as if it were a service elevator, with fellow '80s muscle car Sylvester Stallone in 'Escape Plan.'
In his musicals with Garland, Rooney was the sparkplug for prodigious entrepreneurship - that era's predecessor of the garage band, but with Gershwin tunes and an all-star cast.
Innocent parents might have thought that a musical cartoon version of a fairy tale would be a child's ideal introduction to movie magic. Yet Walt Disney taught moral lessons in the most useful way: by scaring the poop out of the little ones.
A movie like 'Transcendence' may be pertinent in its political reverberations of all computer data held in a cloud and monitored by the NSA, but it also rails against the tools its makers so artfully employ.
At heart, 'Chef' is a daddy-daycare fable about an overextended man who teaches his 10-year-old son the family business and learns to love him.
From her first superheroine role in 'Lara Croft: Tomb Raider' - which earned $275 million globally in 2001, back when that was real money - Jolie has been the one actress who can stand up to any male star and stare him down.
The music was the best thing about the Four Seasons and the central asset of the 'Jersey Boys' show. By concentrating on the group's personal wrangling, to the near exclusion of their songs, Clint Eastwood has jettisoned the joy and made this a one-Season movie: winter in New Jersey. And, man, that's bleak.
Has any movie captured a moment in social, let alone musical, history with as much acuity and joy as 'A Hard Day's Night'?
'Dawn of the Planet of the Apes,' while not nearly the masterpiece proclaimed by many critics, is certainly a fascinating cross-species: a big-budget summer action fantasy with a sylvan, indie-film vibe, and a war movie that dares ask its audience to root for the peacemakers.
It's a fallacy, long rebuffed by science, that humans use only about 10% of their brainpower. But it is true about most summer movies. Pouring their wizardry into special effects and well-choreographed fights, warm-weather action films rarely challenge the viewer with grand notions or beautifully baffling imagery.
The exact meaning of irony is so narrow that the word is hardly worth using; in its broad, current definition, it's a euphemism for sarcasm. 'I'm not being sarcastic; I'm being ironic.' No, you're not. You're evading the responsibility for being sarcastic.
Nixon, with his mellifluous baritone, was a great politician for radio but creepy on TV.
If the Beatles made England swing for the young, then Bond was a travel-poster boy for the earmuff brigade. The Bond films even put a few theme songs, such as Paul McCartney's 'Live and Let Die,' on the pop charts.
As the idealized mother, I might choose Irene Dunne as the mother in 'I Remember Mama' who strives and not just cooks and scrubs for her children, but who also acts as her daughter's literary agent.
The visual team of 'Blade Runner' - one of the last big fantasy movies to be made without much computer graphics finery - worked directly for Scott, who sketched each of his prolific ideas on paper (they were called 'Ridley-grams').
The movie truism is that stars play themselves, while actors play other people - troubled or toxic, and memorably strange. By that definition, Philip Seymour Hoffman, who disappeared into the rabbit hole of his characters' souls, was our generation's anti-star and the chameleonic film actor of his age.
Big-time directors and the studios that bankroll them prefer to dwell in the comfortable, familiar center, where mammon is God and the only divine word comes from focus groups.
Starring Russell Crowe as the Patron of the First Ark, 'Noah' had affronted some Christian literalists with its giant rock men, its weird visions, and the occasionally dark motives of its protagonist. But the film corralled enough religious leaders, including Pope Francis (with whom Crowe snagged an audience), to salve canonical objections.
The Disney animators' rules on adult females: mothers are perfect but imperiled; stepmothers are wicked and occasionally homicidal; godmothers are sweet things with magical powers.
How many mothers have emerged from a family trip to a Disney movie and been obliged to explain the facts of death to their sobbing young? A conservative estimate: the tens of millions, since the studio's first animated feature, 'Snow White and the Seven Dwarfs' premiered in 1937.
If you were a kid in the 1950s, and you got nightmares from a story in a horror comic book, you have Al Feldstein to blame. If you were a kid in the '60s or '70s, giggling at 'MAD's prankster wit, you have Feldstein to thank.
Throughout the movies' golden age, the Western enriched Hollywood financially and artistically. But in the 1970s, the genre lost its audience appeal to fantasy films of the 'Star Wars' stripe, which told more or less the same story - elemental animosities leading to an armed showdown - but at a faster tempo, and in outer space.
Casey Kasem not only played the music of the stars, he also reached the sunniest-sounding celebrity on his very own. Listening to him on the radio, you could hear America smiling.
In film schools of the future, professors will teach 'Tammy' as an object lesson in Making Everything Go Wrong.
We all recall what is or was important to us and are astonished when it slips other people's minds. Perhaps we dismiss as irrelevant matters of crucial concern to those we love. That's life as most of us experience it, and which few movies document with such understated acuity as 'Boyhood' does.
Famous for his 'Maverick' Western series in the 1950s and 'The Rockford Files' in the '70s, and in movies like 'The Great Escape' and 'Grand Prix' in between, James Garner played amiable, independent characters for more than a half-century and never lost his comforting, enduring appeal.
'TIME's spell-check always admonishes me whenever I compose a sentence in the passive voice, a warning that is often ignored by me.
Texting has reduced the number of waste words, but it has also exposed a black hole of ignorance about traditional - what a cranky guy would call correct - grammar.
