I am now using media as a tool to bring attention to marginalized people.
— Rory Kennedy
When I graduated from Brown after majoring in women's studies, I made my first PBS documentary, 'Women of Substance.' My first feature documentary was called 'American Hollow,' which I did for HBO and was at the Sundance Film Festival.
I think it can be really powerful, and one of the reasons I love making films is I do feel they can reach beyond the statistics and the numbers and the complexities of a particular issue and really highlight the humanity in a way that an article or newspaper story might not be able to do.
You need to think, when you get involved in wars, how you're going to get out of them.
I'm all for having an empowered first lady who can really use that position to improve conditions, be a role model and make change.
I'm not sure I would make a direct connection between having press attention as a young person and being interested in the media as an older person. I came to it more organically, coming from a family of Irish Catholic storytellers. Storytelling is a pastime and important part of my family's history and culture.
I've been doing documentaries for about 25 years and want to continue to do that, but I love the idea of working in a different medium. Advertising pushes the envelope creatively, and there is some really great work being done right now, so I'm excited to jump into it.
There's a great op-ed piece by Kurt Johnson, who runs The List Project, that I recommend everyone read. He was talking about how he's been trying to get out of Iraq who were our allies, who are now subject to torture, and their families are being killed because of their alliance to the United States.
The thing is that my father's story helps to communicate what was at stake with my mother, and my mother and father had so much a partnership that his story is integral to her story, as her story is to his - really, her story can't be told without his story.
I think there is a lot to be said for the respect that our parents had for children, and for my brothers and sisters and me at a very young age, and for exposing them to the world and what's out there.
I was attracted to filmmaking in college because of my love of storytelling. You can have such an impact and reach a broader audience than conventional journalism.
With 'Women in Hollywood,' I didn't direct it, but I produced it, and what we did is followed the money of Hollywood and how that intersects with issues relating to women and, frankly, sexism.
I've always been interested in Vietnam, feel it's a seminal event in our nation's history, and have explored it over the years - but I hadn't been interested in doing a documentary about it. I felt there had been a lot done about Vietnam, and didn't know if I could add anything new to the discussion.
I had long been resistant to doing a documentary about my mother for personal reasons. And I thought there was no way she'd want to, but then I asked her and she said 'yes.'
