There are certainly better writers and directors than me, but I have worked very hard to earn credibility within the business as a quality writer and a good director.
— Scott Derrickson
I think it's difficult to be a Christian anywhere, at least to be a committed Christian - I think that demands a lot from a person no matter their field of work, and certainly working in Hollywood is no exception.
Work on your writing skills. Realize that Hollywood is an industry built to keep you out, and once you're in, it's designed to cycle you out - so you have to get up every day and work all day long to give Hollywood a reason to let you in, and then to keep you in.
I'm married to a nurse, and she is really, really ardent that - in screenplays or movies that I've worked on, that all the medical aspects be properly presented. I think that filmmakers ought to be respectful of all fields and not just be lazy and put nonsense in movies because most people won't know the difference.
The evil within the fantasy genre tends to be threatening to the heroes within the story, but not to the reader - or not to the viewer, in the case of cinema - and that's why I think it's more palatable and something that is more easily embraced for a lot of people.
I really love horror novels, horror films, that are pointing at deeper ideas and thematic meaning. It's a way of thinking about films differently; that's what I think I like the most about it. I love the fact that's it's pointing at a more mysterious world - that the world is more of a mysterious place than we tend to let ourselves believe.
People always complain that superhero movies end with a big fight scene where they're tearing up a city, and there's a portal opening up, and they have to close it... I wanted to have a climactic scene that subverted those familiar ideas.
I wasn't born into a religious home, but I was just not a materialist. I didn't believe the material world was all there was or, even, most of what there was. I always felt that I was part of a reality of which the majority was unseen.
I came in with a very specific idea about what a Doctor Strange movie should be, which was rooted in the comics, and I thought it should be as weird and as visually ambitious compared to modern comic book movies as the comic was when it showed up in the '60s compared to other comic books at the time.
In my horror movies, I was always trying to deal with real characters and real character drama played by good actors... Laura Linney, Ethan Hawke, Eric Bana, and Tom Wilkinson, people who don't do horror normally.
My interest in the comic goes back a long time, because I grew up reading comics, mostly Marvel Comics, and I always loved 'Doctor Strange' uniquely. It was the presence of the fantastical, the presence of the supernatural that was in it. The idea of magic.
Fundamentalism is such a pejorative word and immediately evokes images of angry extremism. In my experience, that's not usually what it looks like. I was a fundamentalist in high school.
I became a Christian within a fundamentalist church. I saw 'A Thief in the Night' on a 16 mm. print when I was in the eighth grade, and I got the whole scare speech from our pastors. 'Do you want to be left here, left behind, for the Tribulation? If not, then come forward.'
I always liked 'The Outer Limits' as a kid. More than 'The Twilight Zone.'
I think it's important for anyone who takes cinema seriously not to limit yourself to just optimistic or happy movies. I think that's a problem. You've got to be willing to let the art of cinema take you into some darker places if you're going to make full use of it.
If you look at life with any honesty and intelligence, it's clear that human nature is dark, vile, selfish, and despondent. But I also see a force in human nature, namely grace, that sometimes works against our natural moral entropy.
Interestingly enough, there is a really different dynamic when you're directing something that somebody else has written compared to when you're directing something that you've written. And there's a good and a bad side to it. I think the bad side is that you never feel the same level of connection to the material - you just don't.
I think that Hollywood is a very liberal community, and the great thing about that is that it tends to be relatively open to letting people think and believe what they want to think and believe.
I think that Christians who have an interest in filmmaking need to deepen their love for cinema. To be honest, that's what I think has been missing historically from the Christians who want to succeed in the Hollywood industry.
Screenplays are the currency of Hollywood.
'Emily Rose' was based on a real story, and the real girl died, and there were surviving members of the family, so I took the concerns of that very seriously.
In my opinion, the horror genre is a perfect genre for Christians to be involved with. I think the more compelling question is, Why do so many Christians find it odd that a Christian would be working in this genre?
'Orthodoxy' is the seminal book of ideas in my life. That book I've read more than any other book. It's the spinal column that leads up to my brain and informs the way I think. Flannery O'Connor is my favorite American writer.
My understanding of religion and science is that they're both arrogant schools of thought, and whether they acknowledge it or not they continually broadcast the idea that they have the world figured out. And what they don't know, they have a theory for which is probably correct. It feels like that shrinks the world, rather than expands it.
I grew up reading comics - mostly Marvel - Doctor Strange was my favourite comic book and has remained my favourite as an adult. It's the only comic book movie property I've ever gone after. I felt uniquely suited to it.
I always liked the idea in 'Potter' that you don't choose the wand, the wand chooses you, and that relics decide when you're ready to handle them. I'm a cinephile first and a filmmaker second, and it's all swimming in the subconscious.
We're all capable of being more than we presently are, and the effort that it takes and the will that it takes and sometimes the trauma and tragedy that it takes to force us into that kind of growth is the story of our lives.
I love the comics so much, and I grew up reading Marvel Comics. And Doctor Strange is my favorite comic book character - probably, I think honestly, the only comic book I would feel personally suited to work on.
I think after 'The Day The Earth Stood Still,' I really stopped thinking strategically about my career. I just did. At that point, it became crystal clear to me that you can strategise your career all you want, but it's so difficult to get a movie made, and creativity shouldn't be subjected to that kind of strategic thinking.
Real Super 8 is creepy. If you went into your grandmother's attic and found her Super 8 films and watched them, I don't care what was on them, there would be something a little creepy feeling about it.
We've all watched hundreds of movies from characters' points of view that are not our own. That's part of the gift movies give us.
Corporate America limits the world to consumerism. Science can limit it to the material world. Even religion limits it to a lot of theories that can explain everything. I think we need cinema to break that apart and remind us that we're not in control, and we don't understand as much as we think do.
What I desire most in my life is to become a better person. I genuinely want to be good.
In my films, I either want the music to be very subtle and very buried or just put it right out in front and be super blunt with it.
I think that the secular work environment in general is a place that's challenging for Christians to thrive in without getting caught up in materialism or in competitiveness or in things that are really not important.
When I was hired to write and direct a movie, my Christian duty suddenly became quite clear: My primary duty as a Christian in Hollywood is to do my job well.
In a science fiction film, you're uniquely responsible to pay respect to the science represented in the movie.
I'm not a dispensationalist - I don't believe in the Rapture. I think it's an unbiblical doctrine, and in North American Christianity, at least, it is the teaching that is the root of much of our subculturalism.
I think the first 'Hellraiser' is a work of genius.
There are some people who shouldn't watch horror films, and I'm all right with that.
I have friends who are scientists, strict materialists, who don't think science and religion are compatible, but I just think most of us - unless you're a strict atheist materialist, which there aren't many of - most of us believe in something outside the material world. And if you do believe that, I don't know how you're not obsessed with it.
I certainly hope they let me make another 'Doctor Strange.' I would do it in a second. I love this character. It's been the best filmmaking experience of my career; I work really well with these guys. It was a rewarding, collaborative process that I would do again in a second.
Trauma and pain and suffering can be the very thing that dislodges a person from themselves both in awful ways and larger ways that force one to reckon with one's own life.
I can't help but view the world mystically. It's how I see it. I'm not a strict materialist. I think there's much more to the world than what we see with our five senses.
I went to a fundamentalist Christian high school and went to a fundamentalist church, and they were the greatest people; there was an amazing sense of community. The problem is when the messiness of real life enters, and the inflexibility of a moral code cannot cope with the realities of moral relativism.
The marketing of my movies is something I have no control over! I usually am shown things to give input beforehand. Some directors get really involved with that, but it's not what I do. I don't know anything about marketing; it's not my skill set!
I think more than comedy, probably more than straight drama, I like horror. And horror I think I'm particularly good at. It's a mistake a lot of directors make, especially young directors. They always want to make the kind of movies that they most admire and aren't necessarily sensitive to what they have the best skill set for.
Catholicism is so steeped in imagery. It's one of the many reasons Catholicism has given birth to so many great filmmakers compared to the Protestant tradition - even in America, where we're primarily Protestant.
I think religion is as flawed an enterprise as any other human endeavor, but the interests and ambitions of religion are the right interests and ambitions.
I think the single most important, fascinating, and complex aspect of human nature is that we all know, deep down, that we are not what we ought to be - or as John Doe says in 'Seven,' 'We are not what was intended.'
