It may be time for serious literary novelists to take back some of the subject matter we abandoned to hack novelists and the movies.
— Scott Spencer
If a book isn't teaching me something, pulling something out of me, then it will be dull for me and the reader.
As a writer, I try to turn my feelings and experiences into a different form entirely, something that gives me mastery over them and also makes them meaningful to other people.
Everything in a novel has to be intentional, even the things that aren't.
I try to keep a steady pace with my writing. I have found that super-productive days are usually followed by two and even three days when I can hardly write a word. I used to try for 1000 words a day; now I am high-fiving myself after 500.
I was raised in a house on the far South Side of Chicago, in a development erected on a landfill made from slag and other industrial by-products a few years after World War II.
Contempt is a dangerous emotion, luring us into believing that we understand more than we do. Contempt causes us to jeer rather than speak, to poke at rather than touch.
It could be said that all armed conflicts are a ludicrous and shameful waste of lives, but World War I has a special place in the history of futility - a war without clear purpose, a war whose resolution would ultimately make the world a far worse place.
Like most people, I find my own experiences - and my emotional responses to those experiences - fascinating and mysterious, even those that are a bit shaming and a little repellent.
With writing, you really have to have faith. You have to have some sort of confidence that if you keep at it, you will get where you need to go, because there are so many points where a rational person would quit.
Where I live, it's better to write in the morning because the night is really, really, really dark, and I do believe you'd go mad if you weren't asleep for most of it.
Writers are stewards of the culture. Publishers, librarians, bookstore owners. We're all in this together. To write books that are gripping, important, that people want to have, is to keep publishing alive.
When I look back at my life and think about what really happened, my memory is obscured by the stories I've created out of those incidents. In stories, as reality melds with art, the result sometimes feels truer than real life.
I surely don't think ignorance is bliss. But like everything else that has survived thousands of years of human evolution, ignorance - like denial, self-delusion, and magical thinking - seems to have its uses.
That's sort of the amazing thing about writing something down and then having it printed and published - it's frozen. It's there. It's set. It's in ink. It's done. Nothing changes it.
By the time I was 14, my most burning ambition was to leave my home, leave my neighborhood, leave my city. I kept it a secret wish. It was easier done than said. It wasn't only that I wanted to leave Chicago - I wanted to live in New York City. And I did - for a time.
