Luckily, I don't think that I'm too famous. I can still live my life pretty comfortably. Fame has never really ever appealed to me. I think it's easy to see that it's not a great thing to have.
— Tig Notaro
I'm going to sound like an egomaniac, but I'm proud of so many things. I feel proud of my book, 'I'm Just A Person,' proud of my HBO special. I'm proud of a lot of things.
It's a weird place to be in because my dreams in life have surpassed what I could have ever imagined. I just hope I can continue to write stand-up, but I would say my big dream is to build an amazing family. It's so boring and cheesy, but that's my focus.
Even losing my mother, I wanted my mother. That's who you want instinctually when you're having a hard time.
Stand-up is very broad strokes, kind of a skeleton of a story or something.
When I've had to edit my albums, I'll listen to it one time through, and I'll make edits. I want to remember to set up a camera to record myself listening to my set, because I don't even slightly crack a smile, I am just listening for technical details, and I look like somebody that has absolutely no sense of humor. I look insane.
I've had an ongoing fantasy about being interviewed on, like, a '60 Minutes'-type show about this really inspiring woman that can do anything with a fake leg. And then the camera pans out, and I'm just holding a mannequin leg.
I've toured around the world. I've worked with men, women. I feel like I've been unusually lucky to have supportive friends around me, and I feel tremendously supportive about my peers. I can't wait to brag about how funny my friends are.
Even in losing my mother, beautiful, amazing awakenings have happened within my family. Of course, losing her is not what you want. The things that happened after her death, she would be so just beside herself with joy that life turned out that way.
I'm not for everyone.
My favorite thing to wear from about first to third grade was a blue t-shirt with an iron-on monkey and the caption 'Here Comes Trouble.'
Not 100 percent of the time, but I feel like I'm good at being direct. I know what I want, and I feel like I can tell people, 'I want this; I don't want this. I want you; I don't want you. I hope for this, and this is right, and this is wrong for me.'
Sometimes I get a little exhausted by shows or movies that are constantly throwing famous people on. And I find it so much more exciting to not have that when I'm watching something. I think it allows you to get more lost in something and also to bring more attention to more unknown or less recognizable people.
When you first start out in stand-up and, probably, as any performer, you enjoy the attention so much, and even though that hasn't died down on stage, it certainly has satiated whatever was in me that was needing that much attention. When I'm off stage, it's not something that I really need.
I knew there was no Santa when I was, like, 5.
I can't help but see things in life through a humorous lens, so anything that comes my way is gonna probably be, you know, bent in that direction.
It attracts all types. But I definitely call the comedy world the land of misfit toys. Looking around the room at my friends, that's what I see.
The hardest lesson to learn always is to just have faith in that you will always have something to say or a story to tell. I have faith that I'll be able to continue to tell stories, write and tell stories. You just need to keep going at it.
I'm not opposed to talking about airline food.
You can think you're living in the moment and you're thankful, but when somebody comes face to face with you and says, 'I just lost my child,' or 'I have months to live, and thank you...' I'm of course sad for them, but I'm thankful that I gave them a gift and they're giving me a gift.
I always think about the idea that God never gives you more than you can handle, and just the idea that God would be looking at me and thinking, 'Eh, I think she can handle more.' And the angels thinking, 'What are you doing? You're a lunatic.' And God being like, 'No, no, trust me. She can handle this.'
I just absolutely adore Denver and the Boulder area. Having lived there several times, it feels like home to me.
I try not to look at my old stuff or my new stuff, really. I'm not a fan.
I don't personally feel like I've dealt with any sort of discrimination or sexism. I'm not doubting that there might have been that going on and I just didn't read it that way.
I definitely still like writing one-liners, but I also think that I've changed a lot in that I've allowed myself freedom to grow.
I feel like I am the most hopeful person you could possibly meet.
I can't waste more time worrying unless something surfaces that should legitimately cause fear.
I don't ever assume that people are going to love or appreciate what I do. It would be great. I don't assume that they're not going to. I just am like, 'I'm going to do my absolute best at everything I do, and I'm going to put it out with pride and hope people enjoy it.'
When I'm not touring, I really don't leave the house.
If I'm caught off guard or I'm not in a great mood, or if I'm feeling down or if I'm in my head and somebody comes up to me and I can't match the energy, I just have to think, 'Well, I did my job, which was to do the show or release the album or be in the TV show or write the joke. Beyond that, it's kind of a hit or miss what happens between us.'
I want to be silly, and that's being authentic just as much as being open and honest. It's authentic to make weird clown horn noises when it strikes you.
People ask what my influences are, and for me, it's not always obvious. One of my biggest inspirations was Chrissie Hynde from the Pretenders. That's based on how she just does whatever she wants to do, and I love her attitude about everything. It bleeds over into my way of thinking and comedy.
I was a full-blown tomboy; I was very mischievous and got into a lot of trouble. Everybody in my family smoked, and I started smoking probably when I was nine. My friends used to call me Huckleberry Tig.
A lot of times, people will have after-parties or try and host an event for comedians, and they misunderstand us. They think it should be wild and crazy, or loud music, and comedians are typically pretty mellow people that just want to talk to each other.
It's important that when you do standup, you do small places like coffee shops and also big places like colleges. It helps you find the little nuances in your set that don't work, and you can shave off the excess.
I never really consider myself an awkward person, but once I got into stand-up, I kept hearing that word. The only thing I can trace it back to is that my mom had a similar sensibility. She always made people uncomfortable.
People have responded to my stories so well. They come up after a show and say things like, 'Your album really helped me,' or 'I have stage four cancer. I'm terminally ill.' Somebody told me it gave them the courage to die.
It's not that I hate all of my material - I think it was good. I liked it. I just don't ever want to hear it.
I've never tweeted. 'Funny or Die' started my Twitter account for me, and so I don't even have the password or anything like that. They started it, then they handed it off to other comics.
In the past, I played in bands, worked at coffee shops, babysat, and worked as a production assistant.
If someone doesn't want me working their club, they're not going to hear from me again. I'm not going to fight or complain about it. I'd rather go someplace else.
There's definitely been moments in my life, even recently, where I've taken chances or spoken up about something where I don't know how it's gonna go, but it is true, or it is my truth. That's kind of that trusting life.
The funny response to 'One Mississippi' continues to be that people don't know what is true and what's fiction.
Stephanie and I got married publicly on the beach, in front of friends and family, and the local police shut down the highway for us to cross the street back to my cousin's house. Cars backed up for miles, and everybody in town cheered.
Maybe almost 20 years ago, I was like, 'God, I need to be more direct.' And I found times that I could practice it when it was maybe not my family or friends or co-workers. It's a quality that's rarely disliked.
I get kind of, um, bored by all the sexuality and gender labels because I feel like that's where the problem comes in, when people feel that they need to have these particular identities. If you didn't have these labels, and you just acted on how you genuinely felt at any point, then you wouldn't have anything to contend with.
I have somebody I admire and want to keep at a distance. I've had the opportunity to meet her a couple of times - it's Chrissie Hynde from The Pretenders. I just am nuts about her, but I have no interest in meeting her because I just don't think she could live up to what she's been to me in my head.
It is that bizarre thing. If I had kids, I, of course, would tell them there's Santa, but it's also just an odd feeling to be blatantly lying to kids.
People don't talk about small-town racism in Illinois or upstate New York. They're like, 'It's the South.' And it is. It's there. But it's everywhere. But everywhere, there are also amazing people.
I was very into animals and nature, and really obsessed with cats and monkeys. I used to play in the woods, wander off into the woods for hours. I'd bring a clipboard and think that I was doing some work out there, following the trails of raccoons or collecting bird feathers.
