I love comics for comics' sake. Always have. Always will.
— Tom King
I think sometimes you go through an experience, and you don't feel the impact, especially in a war experience, until way past it.
I try not to push characters too close to myself because they get harder to write, but as a writer, you try to find odd little personal experiences that you hope are universal or think might be universal.
I'm a firm believer in putting your experiences in your writing, of bleeding into the page.
I started out as a novelist, and I think novels have gotten a little stiff, a little repetitive, and the energy in comics was much more appealing.
It's good to be a cynic. I'm a cynic. But the best part of being a cynic is somebody proving you wrong.
Writing is weaponized empathy. It's putting yourself in someone else's head. It's finding what's in them that relates to you.
I wanted to look like the most diverse writer in comics! Spy genre, space genre, crime genre, and then you realize that it's all actually the same thing.
I grew up in a weird environment. My mother's head of the home video division, basically. She played a big role in the invention of DVD - she won an Emmy for it. Or rather, she's part of a group that won an Emmy for it.
'Batman' readers are the smartest readers in the world. I don't have to hold their hands.
That's all the Joker is. It's Batman without love. The Riddler is the opposite of that. It's the detective in him.
You can't tell a Batman story without the Joker, and you can't tell a Joker story without Batman. They're just the symbols of the best and worst of humanity.
Sometimes I understand how Bruce Wayne feels. When you take down a terrorist or something, there's always six guys to take their place. Everyone is Hydra. But you still have to do it.
I grew up your classic nerd who was not good at throwing balls or kicking them. I was good at reading stories by myself. That was my specialty as a child.
If you're a writer, you're constantly doubting yourself.
I still feel it's kind of weird to say, 'I'm a comic book writer.'
What eventually you find in comics is the only thing unique you can bring to a character who's been around for 80 years is yourself.
As ever, I caveat with saying that I don't write about the factual content of my C.I.A. experience. Ever. People who are working hard to save lots of lives depend on me to keep my mouth shut.
When I was dealing with a lot of Iraqis, lies were constant; people constantly lied to you. It's a part of their culture. They wanted to please you so much, they were willing to lie to you to please you.
When I talk about the C.I.A. stuff, I feel guilt because I left. I really believed in that job, and my colleagues are still there. But I have kids now.
I've said this before, but I don't like putting captions in my comic books. I feel, for me, they become a crutch, a way to ignore the essential fact that our medium is a visual medium, and the greatest pleasures to be derived from comics are how stories can be told with pictures.
I've been the desperate writer before. I wrote a novel, and they paid me for it, and I've had those calls from my agent, and I'm like, 'Do you need me to ghost-write a vampire novel? What do you need? I'll do Transformers... tell me!'
I'm a comic book writer, so I work with a lot of artists. Sometimes, you get art back, and you're like, 'Oh, no.' Sometimes, you get art back and you're like, 'That's exactly what I imagined in my head,' and you're happy about that.
It's hard to find a unique look for a Batman villain. Everything like a scar on the face, or a skin condition, there are so many unique signifiers taken.
My scripts, they're pretty serious. I basically just describe stuff. I don't put too many notes and letters to the editors. But when I wrote 'KGBLT,' in parentheses I wrote, 'Well this is the best thing I've ever written. It will all be downhill from here. I'm so sorry for the rest of my career.'
I wanted to be a writer, and my mother was like, 'No, why don't you become a lawyer?' That sort of thing.
That's what's great about the Batman universe. When you explore Gotham, when you explore the villains, all of them point to this one character. This iconic American symbol for how we deal with pain and loss and how we move forward after it.
I served my country; I did that. I was in the C.I.A., and I served in Iraq and Afghanistan, and I love this country with every part of my body, and I was willing to risk my body and my family for it. But I wake up in a country I don't understand anymore.
You throw sadness, you throw depression, you throw horror at Batman, he's like, 'Yeah, yawn, I've done that.' You throw happiness at him? That's something that riles him; that's something that he's not used to.
I love continuity. I was a continuity nerd growing up. I loved buying a comic in the middle of something and loved digging for back issues or going forward and trying to figure it all out.
When I write, I see the pages in my head, not the words.
If you actually read the 'New Gods' tetralogy, this epic without an ending, it's like dipping your head into madness. You feel a little bit like the Joker for a little while. And I mean that in the best way possible.
Literally, over a weekend, Friday to Monday, I went from a C.I.A. officer to changing diapers and putting the kid in a Bjorn and going to the playground and hanging out with all the nannies. I was the only dad - everyone kind of gave me strange looks because of our sexist society.
All stories are just stories of a character changing.
Not to get political, but it seems like every day I read the paper, and you're reading about nuclear war and Russians taking over the country and Nazis again. It's like every once in a while, the world blinks for a second, and it goes, 'Darkseid is!' The world has changed, and it's changed in a 'Darkseid is' way.
I don't believe in writing for goals, or else I'd write essays.
Batman gets close to the insanity of Gotham, to the craziness, to what drives that city mad, and not be driven mad himself - or, at least, most of the time he isn't. That's most like the mission of the C.I.A. We get into the heads of our enemies without becoming our enemy.
My novel got published, and I became a paid writer, which was nice, and then it came out, and nobody bought it, so I became an unemployed writer again.
My dad left when I was young. I didn't have a dad. I'm part of that divorced generation and didn't want to do that to my kids, so I took a year off and became a full-time dad, changed diapers and all that while my wife worked.
I have my dream job. If I was seven years old and you asked me what I'd want to be 30 years from now, I'd say exactly who I am. So, 'rare' and 'lucky' are the exact right words. It took a lot of hard work, and I took a weird route to get here, but man, am I grateful for it.
Batman's not mine. He doesn't necessarily belong to me. As a character, he belongs first to the audience and second to the hundreds of writers who have been writing him in comics for 75 years.
When I was 12, I used to ride my scooter two miles to a comics shop, which I can't imagine letting my kids do by themselves through the city.
I always felt like the 'outsider' kind of kid.
The idea of doing a buffer, sexier Riddler - I like that. I think he's a reflection of Batman, and I think of him like a scary, evil Batman. Like Bruce Wayne without a conscience.
Honestly, I grew up a huge Peanuts fan.
That's my whole point as an artist - I'm trying to get you to turn a page.
I went to college in New York. I interned at Vertigo, and then I interned at Marvel working for Chris Claremont. Just to age myself, this was in 2000.
I wanted to write about the Trump era, but I didn't want to write, 'Fascism sucks' or 'Trump sucks.' That doesn't get you anywhere.
It's funny, you know: my mother-in-law, who doesn't have an ounce of nerd in her, is just so excited by the fact that I write 'Batman' because she'll see an article about me in the 'Washington Post' or 'The Wall Street Journal' or something. And that means so much to me.
My first book is called 'Carry the Three.' It's definitely in a drawer, and it's terrible. I never sent it to anybody. My wife read it, but nobody else.
