I love to make soups. My father used to say, 'There's nothing like a nice bowl of soup.' One of my favorites is... ready? Broccolini, white bean and hot Italian sausage soup. I've used escarole. Escarole in beans is unbelievable, or you can use bok choy, any kind. You can really fool around. That's one of my good ones.
— Tony Danza
There was a time when watching a cartoon was a nurturing experience. You would watch a Warner Bros. cartoon, and at the end of it you could probably win 'Jeopardy.'
I'm an American songbook guy, though I've got eclectic tastes. I really love the American songbook. I've taken up the ukulele, and so you can play 'Five Foot Two' and Hawaiian music, but you can also do some of the great tunes, like 'You Go to My Head,' 'I Guess I'll Hang My Tears Out to Dry,' 'Taking a Chance on Love.'
I am a singer and dancer, and I've been perfecting it for a lot of years.
I'm a union guy; I've always been. I've been in SAG 35 years; my father was a garbage man, a sanitation man, for the city, a union guy.
We did 112 shows and had 112 parties.
Sometimes it's like watching a train wreck. You're uncomfortable, but you just can't help yourself. Some of those so-called bad interviews actually turned into compelling television.
I got this call that they wanted me to join this cast. They called it a family show, and it thought that it would be similar to all family shows. I wasn't sure about this until I watched some tapes, and was amazed.
Hold back the tide. Keep your kids innocent as long as possible.
I want to do a book called 'Shopping and Cooking for One with Tony Danza,' where I will show you how to shop. And, by the way, it should be a movement, because there are many single people in this world. You go to the supermarket, and you need celery, you gotta buy a whole head of celery. It's very difficult for single people.
This culture is sort of antithetical in everything it says to the kids. I don't want to pick on 'Jersey Shore,' but it's pretty clear. I would tell the kids good behavior and hard work will pay off, and then they go home and watch TV and go, 'Oh, that's not true.'
The great thing about getting married young like I did and having a child so young is that he gets to know all the relatives. He knew his great-grandmother, and we sat down together and tied down the stories of our uncles and aunts. They were quite the characters, and we tied them to about 50 recipes. It's like a memoir-cookbook.
I always wanted to be a teacher. I went to school to be a teacher. And I've always, you know, had this sort of romantic idea about it. But I'm worried about - I'm worried about education.
I think like a lot of people, you look back on your life and say, 'Gee, why didn't I apply myself?' If I would have spent as much time studying as I did conniving, trying to do as little as possible, I probably would have got the A's.
We are cutting things kids like-music, art, and gym classes; stuff that kept me in school. This country can't survive without you kids. It's all about you kids.
In an earthquake, I shouldn't run out of the house - I should run into it.
I did Vibe, and I felt old and paternal. I've got ties older than people in that audience. I had a talk with myself. I said, You've got to deal with this better.
Everyone kept telling me, Just be yourself. Be yourself. I kept thinking, there's got to be more to it than that!
I worked at an old folks' home once in Harlem, and I was an activities volunteer. I used to do all these plays with the old people. I did 'The Wizard of Oz;' it was adapted. There was a guy there who played the harmonica, so we had an overture, and The Wizard was 96.
What happened is, when I was doing 'Taxi,' the last year, we did this thing where we had on top hats and tails, and we pretended to tap-dance. And I said to myself, 'You know, I always wanted to know how to do this.' So I got myself a teacher, and I started studying, and I got hooked.
The part in 'Taxi' was originally written for a guy named Phil Ryan, so they made it Phil Banta, and then they made it Tony Banta, which sounded a lot better anyway.
I was training in Gleason's Gym on 30th and 8th Avenue, where it was the Mecca of boxing, and a guy walked in who couldn't rub two quarters together and said, 'Did you ever think of being on TV?' And somehow I ended up in 'Taxi,' which is the craziest thing of all.
I wasn't a bad kid. I was a good kid. But I had gotten in a lot of fights 'cause in the neighborhood I grew up in, that wasn't equated with bad behavior almost. I mean, we'd fought like it was another game. 'You wanna play stick ball today?' 'Nah, let's go fight.'
The joke I wanted to put into one of the promos for this new season, was to have a guy come up to me and say, Hey! Tony! I love your show, I've watched you every night since you started! And then I'd say, Ah! You're the one!
I love to cook and I know a lot of people watching love those segments, but so often they feel rushed to me. If we give 'em a bit more time to breathe, people will get more out of them.
I am looking forward to getting to do things I have never done before.
Don't try too hard to be young. Be who you are.
