'Dances with Wolves' really started the movement, using subtitles for Lakota Sioux and showing Indians as interesting, complex people - not just the enemy - and giving a lot of unknown Indian actors work.
— Wes Studi
When I saw the 'Geronimo' script and was offered the part, it was overwhelming in that it brought back all of those feelings - made me feel what it's like to be in those shoes, the same shoes Geronimo himself might have been in.
We, as Indian tribes, should be able to prosecute non-Indians on tribal lands. But on Indian land, we have no ability to prosecute anyone but another Indian. American Indians having status as a foreign nation is good for us, but it's not good in some ways if we don't have the jurisdictional power that the federal government claims.
I myself, as an American Indian, feel like a failure in a way. I have not been able to do anything about the fact that these large corporations are taking so much natural gas and oil out of the soil. It seems like we're always involved in fighting something. It's tiresome.
I'm proud to have served there for 12 months with Alpha Company of the 39th Infantry.
One of the things I learned early on was the system of believing: you have to believe in what you say. The camera is the arbiter of truth; it's the all-seeing eye that can pick out discrepancies. You can't lie to the camera. You must believe in what you're saying, or the audience won't believe you.
At times, you're welcome, depending on what's being cast. 'Dances with Wolves' - they wanted authentic-looking Indians in the film, and so they got it. The same was true with 'The Last of the Mohicans' and 'Geronimo.'
An old-codger comedy - that's what I want to do.
In the '70s, with movies like 'Little Big Man,' westerns began to have a little different flavor, and I think casting people and filmmakers began to realize, 'Hey, maybe we can get a little more authentic in terms of who we cast here.' That kind of opened up the gates.
I'm Cherokee, and there were times when social expansion was something that is needed by a cultural group or a national group.
I am not a representative of anything. I have my opinions.
National sovereignty can only be achieved after self-sovereignty.
We were created to take care of, steward the land. That is mankind's purpose on earth, to steward and take care of the land as it feeds off of it.
It's a dangerous thing to build pipelines underground.
At times, I'm thinking negatively, thinking that we don't learn from our mistakes, but then I get more positive-minded. I do believe in the good of humanity.
Having watched 'The Lone Ranger,' I asked my dad, 'You think we can be on TV like that guy?' He said, 'Probably not. You have to be 6 feet and blond to work in TV and movies.' I said, 'But what about that guy? Jay Silverheels?'
I think that's every actor's dream, actually: to play lead parts.
The western has always been, for me, the bread and butter. It's the easiest place for an identifiable Native American to be able to work. But I do yearn to be known as an actor rather than a 'Native American actor.'
Irony is one of my favorite aspects of life.
People talk about gangs as if they're something new. But it really isn't that way. The Democratic Party is a gang. The Republican Party is a gang. They're just not in the streets anymore.
I feel very fortunate that I was able to be cast in roles that showed the humanity, if you will, of usually stereotypical Indian characters that made up a lot of film, like the Pawnee in 'Dances with Wolves.'
We have a responsibility to Mother Earth to protect it as much as possible.
As a veteran, I am always appreciative when filmmakers bring to the screen stories of those who have served.
I think that the idea of sharing is something that has been lost in our social conscience, and we need to re-think that. We need to learn a new way.
I can be a teddy bear, but more people tend to see me as the other side of the coin, and that has to do with casting, more Iago than Hamlet. But I don't play villains; I play people doing the right thing for the circumstances and time.
I tried bull-riding... I wasn't good at all: I don't think I ever got eight seconds anywhere. But then, after that, I discovered acting through community theater.
I came from a family that was pretty insularly Cherokee. We kept to ourselves - the white people were there, and we were here, and it was practically a segregated kind of thing.
I like to be able to raise people's consciousness, yes. And to remind that those of us involved in the receiving end of the oppression, we have a duty.
