I've always liked the idea of merging esoteric art cinema with down-and-dirty exploitation films.

I'd been drifting and in a very self-destructive bent ever since my mother died and as soon as I dealt with the grief, for the first time in 10 years, I had clarity and I realized: 'I need to make a movie, now, cause if I don't make it now, I might never do it.' That's what pushed me forward, and I immediately moved to Vancouver.

I was, like, 'I really wanna see an Eric Rohmer movie take place in a Bert I. Gordon universe.' Where there's a story going on that's about, you know, loss and desire, but with a giganticized-animal element.

Panos Cosmatos Quotes