With 'Defenders,' we had some very barebones ideas, but the bulk of it came together very quickly over in Ibiza. The main thing I like about that record, looking back on it now, is the change in the texture of the production from 'Screaming For Vengeance.'

As far as putting a rating on music like you do movies, I can see the common sense in that.

'Defenders' seems to have a really gritty, hard, uncomplicated vibe about it. Somehow, we made everything sound stronger and more precise than on 'Screaming Vengeance' through Tom Allom's amazing mixing skills.

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