The interior nature of 'Basic Black' is central to its unfolding. Shirley Kaszenbowski, regarded from the outside, is the embodiment of the invisible woman. She is in her early forties, long married, with two children.— Sarah Weinman
The interior nature of 'Basic Black' is central to its unfolding. Shirley Kaszenbowski, regarded from the outside, is the embodiment of the invisible woman. She is in her early forties, long married, with two children.
