I've grown up with jazz - the Joe Hendersons, Oliver Nelsons, Miles Davis and stuff - but I was also listening to, like, Slipknot, Korn, and Rage Against the Machine. There was all of that weaved - interweaved - in there, and being from L.A., you tend to know your musical history.

I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'

I remember, with Kendrick on 'To Pimp a Butterfly,' I was in tears. I literally was because it had pulled me and pushed me and stretched me and crushed me and expanded me. It was like I didn't know which way was up. By the end of it, I felt like I was floating in the ocean like a carcass.

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